vogue

Vintage Vogue Covers: Vogue March 15, 1911, Elegant Spring Attire

Vintage Vogue Covers: Vogue March 15, 1911, Elegant Spring Attire, the artyologist

Vogue March 15, 1911: The Newest Spring Materials and Trimmings . . . which herald the arrival of the season.

With fresh, bright colours and light, airy fabrics, the arrival of Spring is welcomed with this lovely mint chiffon and lace ensemble. Softly draped fabrics are an elegant choice for these warm Spring days, but for the still-cool evenings a floral patterned shawl is the perfect addition. A single gold bracelet lends a touch of exoticism to this simple, yet graceful, silhouette.

Inspiration for this fashion recreation comes from this cover of Vogue from 1911. I’ve been wanting to do a more “historical” Vogue cover recreation for a while now, and this dress I bought a few years ago on a whim (and have only worn once as a costume!) was perfect to recreate this lovely Edwardian era magazine cover.

Vintage Vogue Covers: Vogue March 15, 1911, Elegant Spring Attire, the artyologist vogue-cover-original

Easter Sunday’s New Look

Easter Sunday's New Look, the artyologist, looking in purse Vogue 1950's cover

I hope you all had a lovely Easter weekend, dear readers, wherever you are. If you are located in Canada, or many other parts of the Northern Hemisphere, you might just have experienced what I did this last weekend: SNOW! Yes, we got a snowstorm last Thursday, and it didn’t let up until Saturday night. I was glad when Sunday dawned bright and clear but, alas, the sun was not warm enough to melt all of the snow away, and we still have snow covered ground out there. All of my visions of Easter bonnets, and flowers, and easter egg hunts and just Spring in general, were quite hopelessly dashed! My visions of a lovely Easter photo set outdoors, were also dashed as well! I didn’t feel like doing supposedly “Spring” photos in a snowdrift! (Especially as last year was so sunny and bright . . . )

So, in order to avert a small blogger crisis, I decided to take a page from Vogue, and many other photo shoots of years-gone-by, and create a set in the living room (by literally moving all of the furniture, opening doors, putting pins in the wall and generally tearing apart everything in sight. . .  don’t worry- it’s back in order now). This minimalist backdrop (aka: a white bed sheet) worked out fine in a pinch, and as this outfit is rather “New Look” in style, it lent itself well to the very minimal background and gave me a chance to try out some fun 1950’s poses. Most of these poses are based off of Vogue covers from the 1950’s, or other famous poses (such as Dior’s bar suit)

Easter Sunday's New Look, the artyologist black and white

I originally planned to wear something bright and colourful and well. . .  “Springy” for Easter Sunday, however, that didn’t happen. Of all the days in the year, Easter Sunday is the day when you just have to wear an Easter Bonnet, right? Since none of my more colourful dresses had coordinating hats, I decided to forgo the brighter colours in place of a hat and ended up with this cream coloured straw, which is probably my best hat, and this new-to-me vintage dress, which coordinated nicely with the cream tones.

This dress is the one I picked up last fall from the thrift store. It is a true vintage piece, but it desperately needed some work before it was wearable. It is made out of some kind of synthetic material (which creases terribly, I discovered!), some of the dye has faded in places, the bow on the front was rather limp, there were rips under the arms that had been mended very poorly, and the hem was about two inches too short. I was able to bring the side seams in about 1.5″ on each side, to fix the holes, as well as fitting the bodice better, I reshaped the bow, and also let out the hem. I believe that the dress had been hemmed by the previous owner, as the hem was hand sewn- but with three different colours of thread! 🙂 It is too bad that, whoever she was, she trimmed her hem, as I wish that there had been one more inch to let down. It turned out rather nicely though, despite not having that extra inch in length.

Easter Sunday's New Look, the artyologist, gloves detail

After I had let down the hem and altered the dress, I realized that what the dress really needed was a petticoat, in order for it to hang right- as well as giving that nice “New Look” silhouette. I didn’t have a petticoat that worked with the dress, though, as mine was much too full to wear with it, so two days before Easter Sunday, I got the crazy idea to start “Operation: Save The Petticoat”. I managed to alter my existing one – in the process sewing 17 yards of netting into submission – and finished it just in time. (ps. I will have a post in the future about how I altered the petticoat.)

It was rather fun to wear such a recognizably vintage outfit like this on Sunday- with the hat, shoes, purse, gloves and full skirt. I don’t usually go all out like this, and instead wear more “vintage inspired” outfits on a day to day basis. It was kind of nice to break that mold and do something new- or rather – should I say “old”? 😉

Did you get snow for Easter this year? Do you like to wear an “Easter Bonnet”? And do you like to dress in a more recognizable “vintage” styles, or do you dress in a vintage/modern hybrid – or do you even dress in vintage at all?

Outfit Details:

Dress: Vintage

Hat: Vintage

Purse: Thrifted

Jewellery: Gifted and thrifted

Gloves: Vintage

Belt: Vintage

Shoes: Gabor

Easter Sunday's New Look, the artyologist, portrait

Easter Sunday's New Look, the artyologist, back and dress details

Easter Sunday's New Look, the artyologist, on a chair

Easter Sunday's New Look, the artyologist, outfit details

Vintage Vogue Covers: Vogue April 1, 1956, The Spring Bonnet

Vintage Vogue Covers, Spring Bonnet, Vogue April 1, 1956, the artyologist

In your Easter bonnet, with all the frills upon it, You’ll be the grandest lady in the Easter Parade. . . 

With the awakening of Lady Spring, a floral covered bonnet will surely not be amiss in your seasonal wardrobe. A natural coloured straw lampshade hat, completely covered in multi-coloured blooms of all varieties is the perfect statement piece for the early days of this season leading up to Eastertide. The white outfit and pale pink earrings recede, allowing the playful blossoms to take centre stage. A flourish of bright and bold lipstick is the perfect final touch for an ensemble that so clearly heralds “Spring”.

Inspiration for this fashion look from the magazine cover of Vogue April 1, 1956.

Vogue cover, April 1, 1956inspiration image source