How to Sew Felted Wool Slippers Out of an Old Sweater

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green and grey felted wool slippers with an embroidered button on top

I’ve never been much of a slippers person. Usually in the winter I go around barefoot in the house because I’m in danger of being too warm, not too cold. However, there have been a few cold days so far this winter where the house has felt rather chilly and I’ve been trying to bundle up rather than turn up the thermostat. I don’t have any super warm socks, so I decided that the next item I would make would be some felted wool slippers out of a sweater. So far I’ve made mittens, a beret, and some baby boots and shoes, so it follows that the next item to make would be slippers.

I actually ended up making five pairs of felted wool slippers, so the technique was pretty well perfected by the time I got to this pair. I didn’t love how my first attempt turned out, so my sister took that pair. Then I made a pair for my mom. Then I attempted another pair for myself, but they ended up too small, so I donated them to the women’s shelter. Then I made a pair for my brother-in-law. Finally I made this pair and, after all that practice, they turned out pretty nice.

I estimate that they took about 1-2 hours to sew, so they are a relatively quick afternoon project. (Not including the time to felt the wool) If you’re looking for a Christmas gift for someone, then these would be the perfect handmade option!

finished felted handmade wool sweaters

To Make Your Own Felted Wool Slippers, You Will Need:

  • A 100% old wool sweater. Make sure it is real wool content, so it will felt for you. I know you can also use blends that have a high wool content, but I’ve never done that myself, so am not sure whether they felt differently or not.
  • Needle & thread/ sewing machine
  • Button to cover, or a decorative button of your choice 
  • Elastic to make the slipper fit tighter around the ankle, optional

folded shrunken april cornell green wool sweater

The first step is to felt your wool if it isn’t already. You can put it in your washing machine on hot, with a bit of detergent and then wash as normal. If you put in a few sweaters, they will felt faster, because of the agitation. Check your wool once washed, and see if it is felted enough- if not you can repeat the process until it is. Then let it dry.

I would not recommend that you take a perfectly good wool sweater and felt it, because it always seems like a waste to cut up something in good shape that someone could actually wear the way it is. However, there are so many wool sweaters in thrift shops that are no longer in good condition. Whether it’s due to the previous owner accidentally shrinking them, or they are full of moth holes and runs, the thrift shops are full of them. This project is a perfect way to recycle and refashion those sweaters that are completely ruined and useless into something new! I’m using a green boiled wool coat and the binding from a grey cardigan.

pattern with dimensions for slipper

To make your pattern, trace your foot and then round out the curve. You can make a “left” and “right” sole if you’d like, but it isn’t really necessary because the wool will mold to your foot. You can make one pattern piece with 1/2″ seam allowances and one without, or you can simply trace the pattern piece, adding the seam allowances on your fabric. My sole pattern piece measures 3.75″ wide by 9″ long.

The slipper top pattern is shaped like a “U”. Measure across your foot at the widest part and draw a semi-circle with that width. My foot is 5.5″, so my pattern piece is 6.5″ across with seam allowances. For length, I made it the same as my sole, plus 1/2″ for seam allowance (finished length 10″). You can double check the measurements of the outside edge of the piece with the outside of the sole. This isn’t super exact and the wool is a rather forgiving material to experiment with (if you make it a bit too long, you can always shorten it). Make the “U” cutout inside the semi-circle piece the width of the opening you want for your foot. Or, measure how high up your foot you want your slipper sides to be, and make your “U” in those dimensions. My upper pattern piece measures 10″ long and 6.5″ across. The cutout inside measures 5.25″ long by 1.25″ across. I’m a size 8.5 for reference. These dimensions include a 1/2″ seam allowance around the outer edge of the upper pattern piece. (For the pair I made my brother-in-law I added an inch to the length of the sole and then replicated that length onto the top piece.) Also note, I angled the back edge a little bit so it would slope into the heel.

Cut 1 upper piece for each slipper.

I’m sure you could make the slipper soles with one layer, but I did two layers of wool for extra warmth. Cut 2 insoles using your pattern with no seam allowance added. Cut 2 outer soles with the seam allowance added- see the picture below.

Felted wool doesn’t have a grain, so you can cut your pieces wherever they fit.

pieces of felted wool cut into pattern pieces

Place your insoles (the grey pieces) on top of your outer soles (the green pieces), smooth them flat and pin around the edge. Using a zig zag setting, stitch the two pieces flat around the edge to create one piece.

sewing the insole and outsole pieces together

Next, stitch the top heel ends together. I lapped mine rather than using a normal seam, so as to reduce bulk.

stitching the top of the slipper heel together

Now take your top piece, and pin it to the sole, easing the fabric around to distribute the bulk. Make sure that the right sides are pinned together: this means that your insole is facing outward. I made my mom’s with the smaller insole on the outside, but I think they look better with that raw edge flipped to the inside of the slipper.

Once you’ve pinned the life out of them, sew around the edge with a zigzag stitch, following the edge of your insole. (I realized when looking at these photos that I added a 1/2″ seam allowance to the pattern, but sewed my seam at only 3/8″. It turned out OK though.)

sewing sole to the top of the slipper

Turn the slipper inside out and try them on to see how they fit. If they fit well, then you can grade the seam a bit to reduce bulk.

slipper top and bottom sewn together

If the slippers fit well as they are, depending on the thickness of your wool, you might be able to finish the slippers off at this point with a blanket stitch along the top edge. If they are too loose to leave like that, then you can move on to the next step which is adding a cuff to the top.

I cut the binding off of the collar of a sweater to create a cuff at the top of my slippers. You can also use the hem of a sweater. (I used all of the hems we had on the other slippers, so all I had left was this one grey piece!) Cut the binding piece 1-2″ smaller than the opening of the slipper.

cut binding off of the collar of a sweater

Stitch the ends of the binding together to form a loop.

stitch binding/cuff into loops

Next, with right sides together, pin around the top edge and stitch the binding to the slipper top.

pin binding to the top edge of the slipper and stitch together

Then, fold the seams to the inside and pin it liberally! (If you think that you will want elastic around the top, you can add it now, which is a bit tricky, or you can thread it through at the end like I did.)

Now, for the trickiest part of the process, from the inside, stitch the pieces “in the ditch” or slightly onto the top slipper piece. This is hard to describe, but if you look at the photo, it should make sense. If your binding has a finished edge, you don’t have to fold your seam under, which makes this step a bit easier. However, my binding was a cut edge and I didn’t have enough length to felt it, so I decided to fold the edge under for neatness. I probably could have left it raw, but this worked out OK.

topstitching the cuff to the slipper with raw edges encased

It isn’t perfect in all places, and the stitches show through on part of the cuff on the front of the slipper, (it must have shifted during sewing) but it is sturdy. And as my brother says, quoting one of the creators he follows, “It’s not just good, it’s good enough.” I’ve been trying to embrace that philosophy a bit more in my projects. I tend to be a perfectionist, but sometimes that means that projects don’t get done. I’d much rather that there are a few stitches showing, but I have usable slippers, than a pile of unused felted wool in a basket on my shelf.

slippers sewn together with some stitches showing on the front of the cuff

Once I put the slippers on, I realized that the cuff was a bit too loose for my foot. While I could have tried wetting the slippers and shrinking them a little bit, I was afraid that they’d end up too small again, so I decided to instead add a small piece of elastic to the top of each slipper. I cut two pieces of this small round elastic, and then threaded them through the top of the slipper. I simply sewed the ends of the elastic together and then hid the end inside the seam.

threading elastic into top cuff to make them fit better

Then for the final step, because this sweater had all these cute embroidered buttons, I decided to add one to the top of each slipper, just for fun!

embroidered wool buttons and elastic added to the finished felted wool slippers

And there are my cozy warm felted wool slippers perfect for the cold days this winter! Of course we only had a few really cold days since I’ve made them, but I’ll be ready for the next cold snap! They’ll be perfect for Christmas morning too.

I’m really enjoying making projects out of felted wool; it’s such a great way to use up old sweaters. We’ve had a bin of sweaters for years, and making all of these actually used up quite a bit of them- what will I do when they’re gone!?

Are you a slippers person? Do you think you’ll try making your own felted wool slippers? What project should I make next out of the wool? What other projects have you made with felted sweaters?

finished felted wool slippers details

green and grey handmade felted wool slippers

An Antique Empire Style Dresser Restoration

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The finished antique Coye Furniture Company dresser, painted black with a wooden top. There is a large fashion poster leaning on top of it, with bouquets of baby's breath and a stack of vintage books.

I’ve mentioned a couple of times that I’ve been working on a furniture refinishing project…and here it is! I thought it was going to be a weekend project, but this antique Empire style dresser ended up needing a lot more work than that. However, after a few twists and turns, I’ve finally finished it, and I absolutely love how it turned out.

So for some background, my uncle gave me this Empire style dresser several years ago. It had been stored in his workshop for a while and, as he was clearing some things out, he decided he wasn’t going to refinish it. He knew that I liked antiques, so he passed it on to me. I didn’t have time to refinish it then, so I put it in the garage and left it for a couple of years…but I finally decided to tackle it this summer!

antique red empire style dresser before restoration

It was in rough shape and desparately in need of some help. I wasn’t sure whether I was going to strip and stain it or paint it, but when I unearthed it from the garage and brought it into the workshop, I discovered that there was more damage than I had remembered.

antique empire dresser, before restoration, drawer and sides

antique empire style dresser, alligatored finish on the drawers and chipped wood

As you can see in these photos, the finish had crazed and “alligatored” over time. This can, apparently, be caused by heat and sunlight (being stored in a shop/garage for several years probably didn’t help that much). The top of the dresser was also extremely warped and cracked. I wasn’t sure if it was salvageable, or if a new top was required. The wood was also chipped along the bottom of the side panels, so the decision whether to paint or stain was decided in favour of painting.

At this point I was contemplating painting only the sides and drawer divider frames black and then leaving the fronts of the drawers stained wood. I’ve seen a few pieces of furniture done this way and it can look really beautiful. However, I wasn’t sure if it was something that I was going to love for a long time, or whether it was going to be one of those trends that would date the piece in about 10 years and I’d get tired of it. I was a bit hesitant to put the time and effort required into a piece that I wasn’t sure would stand the test of time….so I debated this for a long time. (Ask my family- I drove them nuts trying to make this decision!)

But before any of those kinds of decisions were made, the first step was to dismantle and sand the entire piece to get rid of the alligatoring. I unscrewed the top from the dresser, and immediately cracked the wood around one of the screws. This wasn’t off to a good start! When I removed the top, I also found these artifacts tucked up inside, but I can not find much info online about Laco Lamps. This advertisement is apparently an ink blotter, and there is one for sale here from a different store.

vintage laco lamps ink blotter advertisement from rocky mountain house furniture store

I had originally assumed that the dresser was veneer, but as I dismantled it, I was surprised to discover that the drawers were dovetailed and the rounded drawer fronts were solid cherry wood! That was my first clue that this dresser was old. The finish on the dresser was very interesting, as well. I had originally thought that the pattern of the wood was the grain of the wood, but realized that it was actually a design printed onto the dresser, and then stained over the top with red stain in order to make it look like an exotic wood.

After the dresser was apart, I started sanding. And sanding. And sanding. After half an hour with the orbital sander, the finish on the drawers wasn’t even coming off. It was getting dusty and scuffed, but that alligatored texture was not smoothing out.

Thus I switched to Plan B, which was doing a test to see what kind of finish it was: shellac, varnish, lacquer, acrylic… I did a test with alcohol and the finish did start coming off, so I determined that it was shellac. This was interesting, because shellac has not been a commonly used finish for many years; it fell out of favour after the 1920’s as a commercially used product. That was my second clue that this dresser was fairly old.

I spritzed alcohol onto the drawer fronts and wiped them with a rag. Again, after half an hour, some of the red colour was coming off onto the rag, but the finish wasn’t dissolving enough to completely come off. I was beginning to wonder if this was why my uncle had decided he didn’t want to refinish the dresser…

using paint and varnish stripper on the antique empire style dresser outside

So, of course, it was a long weekend and the hardware stores were closed, but we had some paint and varnish stripper from a previous project and my brother had mineral spirits on hand for me to use to clean up. I put on a ventilator and got to work with the stripper. While I was hoping to avoid the use of solvents, you’ve gotta do what you’ve gotta do. Oh and, I forgot to mention, we had a heat wave as I was trying to do all of this! I got up at 6:30 each morning and went out and worked on the dresser for about 2 hours until the sun got too warm to work in. It took a looooooooot of application and scraping, but I eventually was able to dissolve all of the finish off. (I lost count but I think it was over 10 hours.) However, the red stain colour was soaked into the wood and would require a ton of sanding to bring back down to bare wood. The red stain was a less than lovely colour; I don’t mind cherry wood stains, but this one was a bit too maraschino for my taste.

sanding the antique dresser drawers and top

Thus, at this point, the decision whether to stain or paint the drawer fronts was decided for me by the dresser… and that was to paint the entire dresser, staining only the top. (This piece of furniture had a lot of opinions about how I was going refinish it!) At one point in the stripping/sanding process, I had tossed around the idea of painting the dresser a creamy white, but somehow this dresser just wanted to be black. One of the most important things about refinishing furniture is in going with what will enhance the beauty of the piece. I do sometimes shed a tear when I see people painting beautiful antique pieces without a thought of whether they are improving or degrading the beauty and integrity of the piece. Even though I do love white furniture, the heavy rounded shape of this dresser demanded a dark colour! Fortunately I had some black Country Chic paint on hand from previous projects.

screenshot of my pinterest board featuring black and wooden dressers

I decided to try an antiquing method, watering down the paint slightly, painting sections and then wiping some of the paint off in strategic areas around the edges of the trim, knobs and drawers to mimic the look of a timeworn historical piece. The most important part was in making sure that the wear pattern wasn’t too uniform, so it would appear as though the paint had rubbed off in high use areas. It turned out just as I was hoping for! The maraschino red colour actually looks very pretty when it’s just peeking out under paint, rather than covering the entire piece. (Ps. you can see my inspiration Pinterest board here).

painting the antique dresser black with Country Chic paint and then distressing it, as the paint is wet, with a rag

As for the top, I was able to salvage it. First I sanded it down to bare wood, as much as I could. There were some red patches left behind, but I figured they would blend into the new stain, which had a red undertone anyway.  After sanding, I wet the bottom of the wood with a towel to encourage it to swell and go back into shape, but I didn’t think to clamp it, so it warped again as it dried, even worse than when I had started. Oops! It also caused a lot more of the red dye to bleed out (which I had to eventually sand again…I was really getting tired of sanding that red dye!) So, then I googled how to fix the top, and found a few woodworking tutorials about straightening boards. I then wet the wood and clamped it between boards to encourage it to dry straight. However the clamps weren’t strong enough, so I ended up wetting it for a third and final time, laying it out on the garage floor, covering it with towels so it wouldn’t get scratched and then piling three layers of bricks on top to weight it as it dried. That worked! While there is still a slight bend in the wood, it was enough to be able to attach to the top of the dresser, and I don’t think anything could have gotten that warp out of such old wood. I also didn’t worry about the cracks; I had originally planned to use wood filler, but decided to just leave them as “character”.

staining the wooden top of the antique dresser with the Varathane Mission Oak oil stain

After the top was reattached, I stained it in three coats of “Mission Oak” by Varathane. I wasn’t sure about the resulting colour and wanted to stain it a bit redder and darker, but after buying a stain which ended up being the completely wrong colour, I decided to just leave it as is. And, after a few weeks of living with it, I’ve decided that the colour is just fine.

antique dresser wooden top before staining and after

I oiled the top with Tried and True linseed oil, which is a product I’ve used before and really like. It smells like fish and chips when it’s first applied, but it at least it doesn’t have any chemical dryers, so you can apply it indoors!

waxing the black painted sections of the antique empire dresser

As for the black painted section of the dresser, I waxed it with the Country Chic natural wax, because I’ve never done a piece of furniture that way before, and well … I’m not in love with it. The wax didn’t cure well or dry very hard- it almost has a bit of a tacky feel to it in spots and the dust has stuck into the wax some areas. I don’t know if I didn’t buff it enough or whether something else went wrong? I’m going to leave it for now, but I am planning on getting a buffing pad to attach to a sander and will try going over it with that to see if it will polish it smooth. At worst it might remove some of the wax, but that’s OK. It will just make the piece look even more aged, right? I wish, in hindsight, that I had oiled the painted sections, because the linseed oil cures to a dry finish, which is also quite a historical look. The wax is historical too, I just am not sure if it was the right choice for a black piece of furniture. Black shows everything!

fixing the broken wooden knob by molding a new piece to fill in the section and then painting it to match the other knobs

One of the other fixes that needed to be done was the knobs; one of the small knobs was cracked in half. The bottom had been glued back together, but a piece was missing. I was hoping to be able to buy a new small knob to replace it, but I couldn’t find this shape of knob anywhere. Then, I thought I’d replace all four small knobs with reproduction brass ones from Lee Valley, which would have been nice, however, their store is several hours away and I didn’t want to order online because I needed to match the brass colour of the keyhole hardware. Finally I thought of sculpting a piece of clay to fill in the broken section of the knob. However, when I talked to my brother, who does mini figure models, (and the one who came to my rescue with the mineral spirits!) he said he could mold me a knob to match! Even better! I am a novice at using the material he made the knob out of so my sanding/smoothing abilities on the knob were less than excellent. However, I painted it brown and red to match the colour of the other ones, and then painted it black, and you can’t even tell which knob it is…except for the fact that I just showed you!

closeup detail of the repaired knob made with resin on the antique dresser

Finally, the last step was to line the drawers. The drawers were strong and sturdy, just needing a bit of glue and tightening up, but the some of the insides were damaged and splintered so I decided to line them with wallpaper. I was browsing on Rona and Home Depot to see what was out there, and was envisioning a soft vintage inspired floral, like this, or even something fun and quirky, but softly coloured like this, but as soon as I saw this Art Nouveau paper, I knew it was the one!

top dresser drawer lined with the Crown wallpaper in Flora Art Nouveau pattern

This wallpaper is by Crown and it is the Flora Art Nouveau pattern in Peacock Green. (They also have a Russet colour way available). I love William Morris and Arts and Crafts wallpaper patterns, but they aren’t something that I would ever do on my walls. However, a peek of pattern and colour in a dresser drawer is just perfect. After I got the wallpaper, I learned that it is actually an archive print from 1910, which would explain why it’s got such an authentic Art Nouveau feel! I love seeing at it every time I open a drawer and the colours in the pattern perfectly match the red and black tones of the dresser. I attached it using Mod Podge because I wasn’t sure whether starch or wallpaper paste would stick to the rough wood. The Mod Podge stuck very well, and if the wallpaper ever gets ruined I will just replace it with new wallpaper, so I’m not concerned about potentially ruining the wood with the glue.

coye furniture company imprinted stamp on the back of the dresser

So remember how I said that as I worked on the dresser, I was starting to get the idea that this was a pretty old piece of furniture? Well, there is a stamp on the back that reads “The Coye Furniture Company”. Upon looking into it, learned that the company was founded in 1899 in Stevens Point, Wisconsin by Mr. William Henry Coye who had moved to that town from Grand Rapids. There is very little information about the company, but I did find a couple of print records. One is this “cordial invitation extended to visiting buyers” from the Coye Furniture Co. in this Grand Rapids Furniture Record, Volume 31, Page 114 from 1915. It says that the Coye Furniture Co. will be exhibiting in the Karpen Building in Chicago, although they, sadly, didn’t run any other ads in the catalogue. I would have loved to see what furniture pieces they were showing! Maybe they were showcasing this model?

That’s pretty much all I could discover about the company until 1916. In that year, another furniture factory owned by the Joerns Furniture Company located in Sheboygan, Wisconsin was destroyed in a fire. The Joerns company had been founded by the three Joerns brothers in 1889. After the fire, they purchased the Coye Furniture Company factory in Stevens Point and began operating it as part of their furniture manufacturing company. Any mention of Coye disappears after that sale, while the Joerns company is still in operation today (Although they’ve renamed, and instead of residential pieces, they now make hospital and healthcare furniture.)

Antique black and wooden dresser with a fashion poster and vases and books on top of it. The sunlight is shining onto it casting shadows

So, while I don’t have hard proof, this information, coupled with the fact that the drawers were solid dovetailed wood, and the piece was finished with shellac makes me think that this piece dates from before that 1916 transfer of ownership! I don’t think any pieces made after the company sold would be marked with the old Coye company name, although I could be wrong. There also was that Laco Lamps advertisement, which I thought dated later, but that eBay listing has it placed between 1910-1915 although I couldn’t find any other information as to whether that’s an accurate date or not. When I first got this dresser, I had assumed it dated from the 1940’s or later, but finding out that it is over a hundred years old makes me happy to think that I “rescued” it and restored it back to it’s former beauty, albeit with a different look. And, it’s also so perfect that the wallpaper pattern I chose is from the same time period. How serendipitous!

Details of the antique dresser: a brass keyhole and the curved wooden knobs and front detail

I don’t have a permanent spot for it yet. Because it’s an Empire style dresser, it is very big, and very heavy measuring 46″ wide and 22″ deep. It doesn’t fit in my bedroom, so I’ll have to squeeze a spot somewhere else in the house. I’m using it to store linens, silverware and decor in it; the deep drawers hold so much! I also forgot to mention that there is a matching mirror, but the structure that held it is missing. I didn’t refinish the mirror since I’m planning on using the dresser as a buffet, but maybe I will fix it one day.

I can’t say that I really enjoyed every step of this furniture refinishing process, it was a bit of an unexpected journey, but I do love saving and repairing things, and I’m so happy with how it turned out!

Have you ever started a project only to discover it was going to be way more work than you first thought? Or that you had to change your original plans as you went along? Do you know any other information about the Coye Furniture Co.? 

Restored antique dresser painted black and with a stained wooden top. Made by the Coye Furniture Company

The wooden painted knobs of the antique empire style dresser.

Antique black dresser sitting against a white wall. There is a black and white fashion poster leaning on top of the dresser and there is an arrangement of vases with baby's breath flowers and vintage books on one end.

Social Saturday | November 12

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several books and a magazine spread out on a vintage quilt

Hello and happy Saturday, Dear Readers. It’s a snowy day today, so it’s the perfect time to settle down with some books or blog posts to read. Here are a few I’ve enjoyed lately.

I recently received my birthday gifts and my Victoria magazine in the mail on the same day. I got these three new books: Nora Murphy’s Country House Style, Feels Like Home by Marion Parsons and How Not to Kill Your Houseplant by Veronica Peerless. I’ve really been enjoying reading decorating books lately, getting some from the library and now a few for my own shelf.

And, here’s a list of some more books that sound good…a few more to add to my never ending “To Be Read” list!

I liked this article from Verily Magazine about choosing a personal decorating style you love, rather than just following what is popular and trendy.

Also from Verily, I’ve filed away this one to refer to next time I need to stretch new shoes.

This was a fun peek into a vintage magazine from 1908, from Wearing History Blog. I always enjoy seeing the “ideal” fashions from each period portrayed in magazines and catalogues.

I loved this article about Marilyn Monroe’s style! She is one of the most famous fashion icons for a reason.

I have read, and written, a lot about fast fashion (you can read more posts in the “sustainable fashion” category on my sidebar) but every time someone talks about it, I always seem to learn something new. Mostly I learn that the fashion industry is very corrupt and has no incentive to change. I wouldn’t have bought from Shein anyway, but this video by Karolina Zebrowska definitely solidified that decision. Of course we all need to wear clothes, and we can’t always afford to buy ethical brands (I own some fast fashion pieces myself), but the key difference I see is in the attitude we have when we approach our clothing. We might not have the power to revolutionize the fashion industry, but we each do have the ability to revolutionize our own closets by choosing to buy only what we need and then loving and caring for those pieces well, no matter their price tag.

In this video by The Minimal Mom, she asks a great question to help with decluttering!

I came across this quote yesterday and thought it was timely, considering my post on Wednesday.

“Be satisfied with the fact that although your art or talent may never be accepted by the world as anything ‘great’, and may never be your career, it can be used to enrich your day by day life: enrich it for you, and for the people with whom you live….and come to the recognition of the fact that it is important for you to BE creative in this area to the extent of your talent: important for you as a person who IS a creative creature.” – Edith Schaeffer

Also by Edith Schaeffer, I really liked this one too.

“If you have been afraid that your love of beautiful flowers and the flickering flame of the candle is somehow less spiritual than living in starkness and ugliness, remember that He who created you to be creative gave you the things with which to make beauty and the sensitivity to appreciate and respond to His creation.”

And finally, revisiting one of my favourite posts, “Home”, from one of my favourite bloggers, The Palest Ink. She has a beautiful way of weaving words with Biblical truths.

That’s all for today’s post, and I hope you have a lovely weekend!

When You Feel Creatively Stagnant

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a large wooden schoolteacher desk with wall shelves hanging above. There are boxes and baskets on the shelves full of art supplies.

When you have a blog called “The Artyologist”, it kind of follows that you are supposed to be creating Art (with a capital “A”). So what happens when you don’t want to anymore?

A few months ago, I made the decision to pack away my watercolour paints. Not very far, they are just in my desk drawer, but they are gone nonetheless. Out of sight and out of mind.

When I started The Artyologist blog in 2016, my plan was to open an online shop and blog mostly about my art. However, that is not what happened at all! While I do sometimes blog about art and share my photography, I have mostly shared fashion, homemaking and sewing.

Over the past few years I opened a Society 6 shop, a web shop, an Instagram account and even placed my artwork in a local gallery for 4 months… but it didn’t pan out the way I had hoped, and I have now closed all of those avenues (except for my Poshmark shop). While I made a few sales along the way, it wasn’t enough to consider it even as a part time job, and I came to realize that watercolour was a hobby and it wasn’t going to be anything more than that. After I pulled my artwork from the gallery at the end of my agreement last February, I decided that I was going to stop trying to focus on selling my watercolours in hope that my love for painting would be rekindled.

That didn’t happen though.

Instead, when I walked into my beautiful new art space, instead of being excited to open my paint palette and a pad of paper to sketch a new piece, I felt guilty because I wanted to work on sewing projects, or paper crafting or even tidying instead. In the back of my mind was the nagging thought that I “should” be working on watercolours.

So, when so much of what you enjoy doing and identify with as a creative person is tied up in one specific genre of art, is it OK to quit? It is so hard to end a dream, even when you aren’t enjoying it anymore. You question, “Did I really give it my all?”, “Should I have tried harder?”, and “If I was more talented, it would have worked out, right?”

I’ve come to realize that sometimes we enjoy something for a season and then move on from it…and that’s OK. What’s not OK is to feel creatively stagnant, and then stay there.

I haven’t completely gotten rid of my watercolour paints… I’ve been watercolour painting on and off for over 15 years, so I don’t think that I am quitting completely…I’m just refocusing onto other things right now. Somewhere along the way, I just fell into a rut of “I’m a watercolourist” and didn’t feel like I should try new things… but that is the antithesis of creativity!  There are so many other mediums out there.

When I was in high school I loved to do messy scrapbooking and art books. I experimented with paper collage and acrylic paints and ink and ephemera.

Then I really started to enjoy couture sewing techniques and pattern making as I got into vintage clothing. I loved to dream up clothing ideas and then breathe them into being. I started playing around with ribbon and beads and started DIY’ing hats and headbands. Even if I wasn’t using the proper millinery techniques, I created some cool pieces!

In the past few years I’ve really gotten involved in furniture restoration and decorating. I’ve painted some furniture pieces for my home, and crafted home decor to beautify my space. I’ve enjoyed wallpapering and painting, and then putting together displays of my vintage home goods to curate my favourite bedroom I’ve ever had!

All of these are different ways to express creativity. Somehow along the way, I pigeonholed myself into a box: when I was painting I was being an artist, but when I was doing all of the other creative things, I wasn’t.

I want to get back to that feeling of love for creating, even if it’s something I’m not good at and it turns out badly! I want to try new things, and not feel the pressure to promote it. As soon as I “hung up my shingle”, in order to try selling my watercolour, the creativity was sapped and even though I’ve had months and months to start again, for myself, I haven’t found that creative spark again. I’m not decluttering the paints, because maybe in the future I will return to them. But I’ve realized that even if I decide that I don’t want to return to them, then that’s OK too.

Creativity doesn’t need to look like anything in particular, and you don’t have to be defined by your hobby. It is supposed to be enjoyable, after all. If it isn’t fun anymore, then that’s a signal that something needs to change. Over the past few months, after I packed away my paints, I have rediscovered my love for other artistic endeavours. What’s on my desk right now? Mod Podge, and calligraphy pens, and felted wool scraps, and a half finished millinery project, and some pattern pieces, and hot glue and sandpaper and a decorating book, and the ubiquitous cup of tea.

It’s a very random and eclectic assortment of items which tell a story of all of the projects I’ve been working on lately. I’ve begun paper crafting again and making cards. I’ve been sewing some new clothes for my winter wardrobe. I refinished an antique dresser. I’m learning calligraphy…. Creativity doesn’t have to look like one thing, and there certainly isn’t time to feel guilty about not doing one creative endeavour, when there are so many others you can try.

I am widening my horizons and trying new things. The perfectionist in me hates the idea of trying something new and failing at it, but that’s a part of the creative process: we have to try new things in order to learn new things. It takes time and practice, but I’m excited to try out some new stuff. Some of these things might make their way to the blog, and much of it probably won’t, but I am excited about the thought of creativity without the pressure of an audience. It’s just for me, and just for fun; isn’t that what creativity should be?

So, I’ve learned over the past few months that, while it can be hard when one artistic endeavour comes to an end, that doesn’t mean it’s the end to your artistic endeavours!

Well, that’s what I’ve been thinking about lately. I hope that my ramblings about my discoveries over the past while might encourage you today in whatever creative endeavours, or ruts, you may find yourself in.

Have you ever tried a creative endeavour and it didn’t work out how you hoped it would? Have you ever gotten into a rut and felt “creatively stagnant”? Do you find it difficult to try new hobbies? What creative activities are you enjoying right now?

(Ps. I do still have my Poshmark shop, linked in the sidebar or here, with all of the pieces I already had on hand!)

A Fashion Moment With (1949) Styles By Beehive: Sweater Weather

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Styles By Beehive by Patons & Baldwins cover featuring a knitted sweater vest, skirt and sock combination

I found this great vintage knitting book when we were organizing our new sewing/craft room. It was mixed in with some sewing patterns and books from the 1980’s, so I’d never looked closely at what was in that folder (the anorak pattern dissuaded me) but when I emptied out that folder to put on the shelf, I came across this book by Patons & Baldwins Limited Toronto: Styles By Beehive Series No. 40. The back page was torn, so I didn’t know what year it was from, but judging by the styles I guessed 1940’s. I was able to track the year down online and I was right; it was from 1949! This book was my Grandma’s and it was open to Page 9, the “Antelopes” sweater, below right, which is why much of the colour is rubbed off that page. I wonder if she ever made that sweater?

I hope you enjoy seeing these lovely 40’s fashions!

styles by beehive ski sweaters from the 1940's

styles by beehive by Patons & Baldwins book with a lady wearing a dressy knitted sweater

On a different style note- I love the waistband of this skirt, above, it looks kind of like a half waistcoat.

styles by beehive book with several ladies wearing knitted pullovers and cardigans and a head scarf

The checked grid pattern on the cardigan above adds such a great detail.

styles by beehive by Patons & Baldwins lady wearing a pair of jeans, knitted boots and a casual cable knit cardigan coat

The earliest “Uggs”, above.

styles by beehive knitted accessories

page 1 of the styles by beehive knitted accessories featuring socks, scarves and gloves

Would you wear a hood like these?

page 2 of styles by beehive featuring accessories including hoods and socks

styles by beehive pages showing a lady wearing a tennis outfit and another with a casual pullover sweater

styles by beehive book featuring ladies wearing straight skirts paired with knitted pullover sweaters and cardigans for a dressy look

I like the texture of the one on the left, above.

styles by beehive by Patons & Baldwins lady wearing a cardigan and skirt combination

styles by beehive lady wearing a sweater with a hare and tortoise pattern knitted into it

I love the cardigan on the right, below, too. It’s lightweight and would look so nice paired with a skirt.

styles by beehive by Patons & Baldwins two ladies wearing dressy knitted sweaters

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