No, I have not cut my hair again- these photos are from 2019 when I was growing out my pixie- but I never posted them. I don’t know why. I think at the time I wasn’t really happy with how they turned out, however, looking at them now I think they turned out all right. When I came across them a few months ago, saved in a folder, I pondered whether to share them here, even though they aren’t current. It’s kind of strange how the internet is so momentary, isn’t it? It’s all about the here-and-now, and things go out of date so quickly…anyways I decided that I wouldn’t post these, but would just take some new photos featuring the lilacs…
So, why am I posting them here now?
Well, unfortunately we haven’t had a very many blooms this year, and the flowers that we did have were very spindly and small. It’s really too bad because this is my favourite time of year, and my favourite photo backdrop. I think that our lilac hedges need to be pruned, so we are going to do that and hopefully that will coax them to bloom profusely next year! And in the meantime, I will remember these gorgeous lilacs fondly.
As for this outfit, I actually don’t own this striped top anymore. I always wanted to try this style out and was excited when I found this one at a thrift shop, but discovered that the off the shoulder cut was a bit annoying to wear. So, I parted with this top, but I still have the skirt, purse and shoes, and they are all in regular rotation. Don’t you love it when you have things in your wardrobe that always just seem to work?
Well, I hope that wherever you are, you have been able to enjoy some flowering shrubberies of any variety, and hopefully next June I will be back with some new photos with this hedge!
I should have actually shared this post last week, as it would have been rather perfect for Fashion Revolution Week, but I guess today will do just as well. Fashion Revolution isn’t just applicable for one week in the year anyway, so perhaps this is timely, in case you have been wanting to read further about the fashion industry and how to put “sustainable fashion” into action.
I have a disproportionately large collection of fashion related books, compared to other topics at least, on my shelves. But as nice as social media and blogs can be for inspiration and information, there is still something special about pulling out a book and learning in-depth about a topic. So for today, here are some of my favourite books about sustainable fashion, as well as some of the books that sparked my interest in fashion, in case you are looking to add some books to your own library, or are just getting interested in sustainable fashion and aren’t sure where to start.
“Overdressed: The Shockingly High Cost of Cheap Fashion” by Elizabeth L. Cline
This is the book that started it all for me. A blogger recommended this book years ago (I think it was in 2012?) and I immediately went and checked it out of the library. It was an eye-opening look at what really goes on in the fashion industry supply chain, and is a deep dive into what happens before our clothing makes its way to the store.
While I had never been a shopaholic, or even very addicted to fast fashion, this book definitely changed the direction of my wardrobe, since I realized that many of the pieces of clothing I owned were from fast fashion brands. I immediately started looking at my clothing with new eyes- knowing the story behind the pieces- and changed my shopping habits for the better. If you are at all interested in ethical and sustainable fashion, this is definitely the place to start.
“The Conscious Closet” by Elizabeth L. Cline,
Also by Elizabeth Cline, rather than the investigative style of Overdressed, her follow up book about the fashion industry is more of an instruction manual or guide. I would say that this is probably the second book you should read once you’ve finished reading Overdressed and have become interested in ethical fashion. I have been reading about the cheap fashion industry for almost 10 years now, so this book was probably not as helpful for me when I read it in 2019, as it would have been if I had read it in 2012, because I was already familiar with a lot of the information within.
Nevertheless, it does have some very good tips, so if you’re just starting out, this is also a good place to start to put the ideas into practice. She includes tips on how to change your shopping habits, create a more ethical wardrobe, how to sustainably pare back your wardrobe, as well as how to care for your clothes and other steps for getting involved outside of your own personal closet and shopping.
“Wear No Evil” by Greta Eagen
This is another comprehensive “instruction manual” style book that includes many aspects of the fashion industry, as well as the beauty industry. I found this book extremely helpful when I first read it years ago (early on in my sustainable fashion journey) and I actually should read it again. I really like how she gives practical tips for how to move past the “awareness” stage to the “actions” stage.
What makes this book so helpful is what she calls “The Integrity Index”, which is a list of sixteen attributes/categories that a garment could potentially fit into. While you are probably not going to be able to find a garment that ticks all of the boxes, you can start somewhere. For example you might not find a garment that is organic, natural fibre, recycled, closed loop, biodegradable, fair trade, and locally produced, but you might find one that checks off three of those categories. I found it so practical and helpful to pick the causes that are most important to you and use those as your guide while shopping, and she includes some very helpful charts and lists with suggestions to make shopping easier.
“The Curated Closet” by Anuschka Rees
I don’t own this book, but I’ve checked it out from the library a few times and mentioned it before here (I probably should just buy it!). Even though I don’t own this one, I wanted to include it on the list because it has been a helpful tool to shape my closet. It’s not strictly a sustainable fashion book, but when you focus on creating a more intentional and curated closet, it is going to be more sustainable by default.
One of the biggest driving forces behind the cheap, fast fashion industry is the insatiable desire of consumers for more and more clothing. These impulse buys, in turn, push brands to create cheaper clothing and more and more trends each year in order to make more sales. But these clothes are often so poorly made that they degrade quickly or are flash trends that fall out of fashion so quickly that they need to be replaced- thus starting this unsustainable cycle all over again. By curating your closet to reflect your own personal style, with items that are thoughtfully purchased, you are going to automatically purchase less items and thus become more sustainable in the process. This is an excellent guide book if you are wanting to create a more streamlined closet by reducing the number of pieces you have as well as changing your shopping habits.
“The One Hundred” by Nina Garcia
I got this book when I was 16 for a Christmas gift, and I have no idea why- I must have paged through it at the store and liked the illustrations. However, it is actually a fun book to read, and it sparked my interest in classic styles. While this book isn’t sustainability focused in any way, this book is about those timeless pieces in your closet that you always reach for over and over again. While some might say that 100 “must have” items is too many for a sustainable wardrobe, I think it’s a good start.
Rather than following this book as shopping list and going out and getting all 100 items to add to your closet, I think of this as an evaluation of why some items are so timeless and chic, and in finding the value in the items you have in your closet that you always reach for over and above other items. These are the pieces that you love and care for, and aren’t rushing to replace any time soon. Again, a more thoughtful and curated wardrobe is by default a more sustainable wardrobe, so it really is a good idea to reflect on what particular items are your most loved pieces, and why. And, of course, the alphabetical format of the book, witty quotes and illustrations just make this one all the better!
“The Sartorialist” and “The Sartorialist: Closer” by Scott Schuman
Finally, the last one on this list is the blog/book that started it all. I discovered Scott Schuman’s blog in about 2007 or 2008 (the olden days of the internet) andput his first book on my Christmas wish list when it came out in 2009. I wasn’t a very fashionable teenager because, while I liked fashion (especially historical), I had no idea of how to interpret my interests into a style that was wearable. His blog, and then later his books, about real people’s street-style showed me the value of breaking fashion rules, stepping outside of the norm and then going on to create my own unique style. Even though he never photographed vintage styles, without his blog I don’t know if I would have ever gotten interested in incorporating vintage into my wardrobe on a daily basis. And while I don’t wear strictly vintage looks anymore, without that early inspiration to dress in a different way, I probably wouldn’t have evolved to where I am now with my style.
Scott is an excellent photographer and I love to look through these books occasionally to be inspired by all of the unique and different people in these pages. This book is 12 years old, but when I page through it, while I do spot some trends, it still seems as fresh as when it was first released. Again, this book isn’t one that promotes ethical and sustainable fashion in any way, but I think that it really demonstrates this quote by Yves Saint Laurent: “Fashions come and go, but style is forever”. When you aren’t concerned about the latest trends, but instead are choosing to wear your own unique, collected style you are, by default, creating a more sustainable wardrobe that is going to last you longer than any fast fashion trend.
So, there are some of my favourite books for learning about sustainable fashion. If you are wanting to learn about how to turn your wardrobe away from fast fashion, then these are a good place to start- though they are only the tip of the iceberg!
What are some of your favourite fashion books? Have you read any of these? Do you have any other recommendations to check out?
Today’s post is a revamped edition of one I wrote several years ago as a guest post for Jessica of Chronically Vintage about how to refashion a hat. I came across it again recently and decided that I wanted to revisit it with some new photos and give it a home here too. And, since Easter is this weekend, it’s the perfect time to share these techniques and inspiration in case you have a hat that you’d like to refashion!
I don’t actually own very many true vintage garments, and many of my “vintage” garments are actually ones that I have sewn myself or altered from thrift store finds. I mostly rely on making or refashioning clothing to give it a vintage vibe (whether that means adding embellishments, changing buttons, hemming to a better length or altering the fit) and then adding in accessories for the final touch to get that vintage look.
The sad, but true, reality of vintage is that there is a finite amount of it left in the world, and as time goes on it just gets more and more scarce and, thus, unaffordable for the average person. This definitely doesn’t mean that those who can’t afford or find true vintage have to miss out on this fashion style, though! Just as with any other trend or style, as in centuries past, women have made for themselves what they couldn’t afford to buy or couldn’t find in the shops, and I live by this principle today too. Thrift stores are great places to rescue cast off pieces of clothing or accessories and then refashion and embellish them so they’ll fit your own style.
Hats are great accessories for really pulling an outfit together, but sometimes it can be hard to find good hats that are not in disrepair (shattered veils, stains, moth holes…) and putting together a hat collection, when a hat that is in good shape costs a lot, is just not feasible for many of us hat lovers. This is why I have turned to making and refashioning hats: so I can get that unique vintage look, without spending a lot. If you pick up mildly damaged or ugly/boring hats that have potential, and are willing to use your creativity to alter them, you can easily build a hat collection for a fraction of the cost. This also gives you a chance to try out different styles of hats and see whether you like them before investing in the “holy grail of all hats” (whatever that might be for you). When I first started getting into wearing hats, I invested in some beautiful vintage ones that I didn’t end up liking on me. For example, over time I’ve discovered that I like my hats to have a higher crown like 1960’s style pillbox hats, rather than the flatter Juliet cap style of the 1950’s. I learned this the hard way, after I had already bought several beautiful vintage hats, and I ended up having to sell them because I just never wore them…at least they went to new loving homes! Now that I have an idea of what kinds of hats I like to wear, though, when I see one for sale at antique malls or second hand shops, I have a good idea of whether it will make a good candidate for refashioning.
My checklist for hats that I would be willing to take a chance on or pass by would be:
A hat that is not smashed out of shape, unless you think it can be steamed back into shape. If the hat is very crushed, it’s not going to turn out well. If you decide to try and reshape it, you’ll need some kind of hat form to do so, depending on the style of the hat.
One that doesn’t have large stains on it, unless there is some way to cover them up with new embellishments without it looking odd. While I don’t mind some “character”, I don’t want it to look dirty.
If the veil is torn, which is very common, see if it could be removed entirely. Most hats will look totally fine without a veil. Also, you can still buy Russian netting at many fabric stores, so you may be able to simply replace the damaged veil with a new one.
If the hat is lacking in embellishments, or the current ones are ruined, you can definitely make new ones (one example I am going to share today).
I picked up this little black felt hat for a song, from an antique store, along with a couple other hats that really needed some help. I remember seeing this hat several years ago in West Edmonton Mall (I recognized the label) so I know that this hat is not actually vintage. When I saw it new, I thought the embellishment on it was so boring that I passed on it. It seemed like they had a good thing going with the veil and the leaves. . . and then ran out of ideas, so they just plunked a little brooch on top. However, when I saw it for sale second hand, in good condition and at a much better price point than it was new, I picked it up thinking, like Lydia from Pride and Prejudice, “Look here, I have bought this bonnet. I do not think it is very pretty; but I thought I might as well buy it as not. I shall pull it to pieces as soon as I get home, and see if I can make it up any better.”
Soon after buying this hat, I came across this image from Philip Treacy’s Autumn/Winter 2015 collection, and absolutely fell in love with it. In case you are wondering who Philip Treacy is, he is a UK milliner who counts the Royal Family among his clients. I absolutely love this hat: it is so outrageous and over the top, and really what’s not to love about mint? As soon as I saw it, I started thinking about how I could make something similar, and I decided that a large flower on this hat base would be just the thing.
Here is how I created the flower, and how I styled the finished hat for an updated 1940’s look.
I made my flower out of chiffon, since we had a bunch left over from a past project. You could use stiffer organza too- which would give you the rounder pompom shape that Treacy’s has, or tulle or netting, which would be softer. I cut out a ton of circles, 5 inches in diameter. You will need 30-50 circles depending on the material and stiffness, and how full you want the flower to be. Don’t worry about being too precise, as the edges will be melted and the pieces will be gathered for the final flower. And definitely do cut your circles through several layers at once, to save yourself time!
I didn’t want the fabric to fray to pieces, so I singed the edges to finish them. Singe the fabric by CAREFULLY holding the material over a candle until the edges start to melt and curl. Be very careful with this, since you are holding a meltable material over top a flame!
You will need to hold the fabric about 6 inches away from the flame and slowly dip in and out and across so the heat starts to curl it. You don’t need to bring the fabric very close, otherwise the heat will start melting the entire circle, rather than just the edge. (Voice of experience. . . ) You should probably do this in a well ventilated area too, by the way.
Once you have singed the fabric, you will be left with curled lily pad shaped petals. Take a circle and fold it into quarters. Stitch through the corner of the folded piece, catching all 4 layers, and loop to tie a knot so it won’t pull through the fabric.
Continue to string together the folded circles using the same method, until the flower is at your desired fullness.
Once you get a fuller shape, you can gather some of the centre petals so they are fuller, as the soft fabric likes to “flop”. If your fabric is stiffer, you can continue stringing until you get a pompom shape. For mine, with the softer chiffon, I gathered the entire flower together in my hand and stitched through the entire bottom of the flower to give it some shape. Just play around with the fabric and arrange it into a nice shape- there isn’t a hard and fast method.
If your flower is softer and going to lay open, you can sew a button, a bead or other embellishment in the centre of the flower to cover up the stitching. If your fabric is stiff, you can just keep adding to it and you will get a lovely round shape and won’t need a button at all.
Sew a little round felt disk to the bottom, to keep the flower in shape. If possible, do not glue the flower onto your hat, since the glue may seep through the light fabric.
Sew the flower onto the hat with cotton, or other natural fibre, thread. If possible, don’t use a polyester blend thread, as over time polyester can cut natural fibres, and you will be left with holes. You could also add a brooch pin to the felt disk, instead of sewing it directly to the hat, so it is removable, in case you want to use the same hat base for multiple embellishments. And then you’re done!
I don’t have a before picture of this hat on my head, because it was severely unflattering, but here is the after! A giant flower is really what this hat was missing. Mine turned out a lot smaller than I was originally planning for and less pouffy because of the fabric I chose, but I think it works well for the style of the hat. By simply adding some embellishment, this hat is now completely transformed!
Here are some other ideas for how to refashion a hat with a different look, which might work for you if a giant pompom/flower isn’t really your thing.
From Chapeaux Élégants, 1942
Bows. I’ve seen this kind of hat with a giant stiffened bow, upside down bows, bows made out of contrasting fabric or coordinating, ribbon bows, right side up bows or a myriad of smaller bows…the sky really is the limit when it comes to bows. I’d really like to make a giant sculptural bow one of these days!
Loops and twists made out of wool, or sculptural ribbons. This is a really simple, yet architectural embellishment. I’ve also seen where the wool is looped back onto itself in all sorts of different shapes. This is a much simpler hat decoration, but one with a lot of impact. If you can find a similar colour of fabric, or a contrasting colour, this is a very easy embellishment to create.
Sears Catalogue 1947/48
Feathers. You can use smaller feathers, or even large curled ones. I have a pheasant feather that I want to steam into a curled shape and attach to a hat, but I haven’t got a hat yet to put it on!
A cluster of artificial flowers. You could either group purchased flowers, or make your own ribbon or fabric flowers. I’ve seen so many different types of flowers on hats, it all depends on what you plan to wear the hat with.
If you’re looking for some hat inspiration, here are my favourite places to look:
Online vintage shops. This is a great place to look for true vintage inspiration.
Pictures of the Royal Family, the Duchess of Cambridge in particular, who are often seen sporting beautiful hats.
Allport Millinery is an Australian milliner with such amazing hats- her website is just full of gorgeous pieces.
Of course, we can’t forget Philip Treacy, where I got my original inspiration from.
And if you’d like to see more “hatspiration”, I’ve created a Pinterest board of the lovely hats I come across while browsing!
I love how this hat turned out; I’ve styled it in many ways over the past few years. This outfit I paired it with is one that definitely has a Classic vibe to it, rather than overtly vintage, but I’ve worn the same hat here and here before. It’s quite a versatile accessory!
I hope this has inspired you to look at the garments and accessories you have, with an eye towards how to make them work for you. Maybe it will inspire you to pick up that ugly hat or other item you would usually pass up in the thrift store, and refashion it to become your new favourite piece. Maybe all it needs, like this hat, is a new embellishment!
Continuing with my Personal Style series, today’s post is about how you can use colour theory create a signature colour palette for your wardrobe, that is perfect for you.
To read Part One, all about creating your own unique style description, click here.
USING COLOUR THEORY TO PERSONALIZE YOUR WARDROBE
Partway through last summer I really got into researching colour “seasons”. I’m sure you’ve probably heard of this method, since it’s been around since the 80’s, but basically it is a theory that each person falls into a “season” or colour palette that compliments their natural skin tone, hair colour and features. The seasons are Spring, Summer, Autumn and Winter, just like in nature, and each of those four seasons are further broken up into “Light”, “Soft”, “Bright” and “Dark” categories.
I’d never given it much thought before, but decided to look into it further after I had gone through my past blog posts and started thinking about why I didn’t like some of the outfits today, even though I had liked them at the time. That got me thinking about colour theory and whether I should go about creating a signature colour palette for myself.
Now, I have not actually gotten “typed” by a professional, nor have I actually put all of the results of my colour theory self-quiz into action. I have simply used these guidelines as a useful tool to help me create a wardrobe that I am excited to wear. Of course the great thing with fashion is there are no rules! I’ve used the colour seasons advice to help me filter out all of the excess and figure out what I want my own personal colour palette to be.
To begin with, as I was looking through some of the older posts that I didn’t like, I realized that part of the problem was certain colours I had chosen. After looking into it and taking a self quiz, I discovered that I am either a Soft Summer or a Soft Autumn. I can’t decide which, so I chose to put myself right in between both! Either way, you can “borrow” from neighbouring palettes, so it doesn’t really matter, and the most important takeaway for me is that I am a Soft season. This series of posts by Anushka Rees (the author of The Curated Closet), is really good for going over the different Seasons and I also really like the blog posts by Elemental Colour for vivid descriptions and examples of the Season colour palettes. I found their posts to be the most helpful in bringing the ideas of colour theory to life.
So, what does it mean to be a Soft season? Well, I have very low contrast between my hair, skin tone and eyes. If you were to turn a photo of me into black and white, it would be mostly greys instead of clear black and white tones. How this relates to colours means that the Soft seasons look best in a soft, muted and earthy palette rather than in bold, clear colours. I always used to say that I liked colours that had “a bit of mud in them”, and it turns out that those are actually the best colours for my skin tone and hair colour. For example, I wouldn’t wear Kelly green, but I often wear olive. I’m not drawn to fuchsia, but I love desert rose. I hate royal blue, but love smoky blue…ok, you get the point.
I think that I fall a bit more towards the Soft Autumn palette, because as I looked back through my favourite outfits on my blog, I realized that some of my colour choices need to be a little bit warmed up. One of the reasons why I loved or didn’t love certain outfits was because of the colour combinations; while those colours would look great on someone else, it wasn’t great for me. For example, if I’m wearing navy, I need to warm it up with cognac, instead of pairing it with black accessories or other cool toned colours. If the outfit is too dark or too cool toned, it’s going to wash me out. Here are two such outfits, below, that aren’t my best. They aren’t terrible, but I think that these pink and navy shades would look so much better on someone with a Winter or Spring colouring.
However, I don’t think I fall completely into Soft Autumn either, because some shades of yellow and tans with a yellow undertone make me look yellow. So, even though I love mustard, there are certain shades that don’t look great near my face. I can’t bear to get rid of mustard completely, but I have now relegated it to accessories. Also, I need to keep in mind the contrast of an outfit. In this outfit below, for example, the black and yellow are simply too bold for my muted, low contrast colouring. This particular outfit never really seemed right to me, and I think it is because of that high contrast. Instead of pairing two strong colours, I should have paired the mustard sweater with brown or olive and it would’ve looked a lot softer and I think I would have liked it a lot more. Also, the pink of this dress is so strong on me, as well as being cool toned, and it would look so much better if it was a bit desaturated and a slightly warmer shade of pink. This shade brings the pink tones out of my skin and as a result I look a bit pink while wearing it.
Figuring out the “rules” of colour theory has really helped me to weed some of the things out of my closet that I wasn’t wearing regularly. Instead of approaching colour seasons as hard and fast rules, though, I have used them more to help me understand why some things weren’t working for me. Rather than going to my closet and saying “this isn’t in my palette, so I need to get rid of it!”, it’s been more of discovery of why something wasn’t working for me. As in the case of that mustard sweater, I had only worn it twice, and both times my outfit didn’t come out quite right. Finding out that dark yellow isn’t in my colour palette was more of an “aha!” moment for me to realize why it wasn’t working, rather than just deciding to get rid of a beloved piece of clothing. Of course, arbitrarily removing things that aren’t “correct”, just because someone said you should, is the exact opposite of how you should approach your closet! You want to love and wear the pieces in your closet, and if your Season isn’t one that makes you excited, then you should completely disregard those “rules”.
There are few examples of where I have disregarded these rules. One, this brightly coloured summer dress, below, that doesn’t go with anything else that I own. I only have one pair of white shoes to pair with this dress…and that’s it! I keep wondering if I should pass it on, but I actually do really enjoy wearing it. So what if it’s a bit too white and bright for my colouring and I can’t mix and match it with anything else I own? Another example is that I am, apparently, not supposed to wear black with my low contrast colouring, but it’s actually one of my favourite colours, so I just keep wearing it. I’m not going to go and get rid of my favourite sweaters and skirt and coat, just because they aren’t in my Season.
All in all, I mainly used these findings about colour Seasons to help me create my own signature colour palette. In the past, I wasn’t very interested in creating a colour palette for myself, however it can be a really great tool to use as you plan future purchases or sewing projects for your wardrobe. Anushka Rees, has a series of posts about creating a colour palette and Audrey Coyne, who has a really lovely YouTube channel, also talks about the benefits of creating a personal colour palette, and I’d definitely recommend that you check them out for further reading/watching.
Creating a personal colour palette can help when you shop, because you will have a starting point and can easily filter out whatever doesn’t fit in with the rest of your wardrobe.Even though it might not be possible all the time to find those colours (really, why does every season have three colours to choose from, when we obviously don’t all look good in them!?!) this will keep you from getting distracted with clothing that won’t end up fitting in with the rest of your wardrobe. While I like lots of different colours, sometimes the fact that they didn’t coordinate with each other made it really difficult to mix and match my wardrobe and come up with new outfits using the same items. In essence, the more items of clothing that you have that don’t coordinate with anything else, will result in fewer combinations that you can wear.
For example (to pick an arbitrary number) if you have a 30 item wardrobe, and each item coordinates with the colours of the majority of the rest, you will end up with a lot of possible combinations without repeat. (This is the idea behind capsule wardrobes. I’m not very good at math, so I can’t figure it out, but I know that the number of unique combinations or “permutations” is ridiculously high if you actually do figure it out… )
However, if you have a 30 item wardrobe, but you’ve got a group of 10 items that coordinate, another group of 10 items that coordinate and a final group of 10 items that coordinate, but none of those groups of 10 coordinate with the other groups, then you are going to have a significantly smaller amount of combinations. You actually won’t be able to create as many unique outfits with this wardrobe, as you would with the first example, even though the number of items is the same.
Obviously, if you have lots of clothing, and you don’t want to limit yourself, then you totally could create 3 different coordinating wardrobes of 30 items each, but this isn’t something that I personally have the space for, which is why I initially started on this whole closet evaluation.
Of course, even with creating a signature colour palette, you still don’t have to confine yourself. Like everything else when it comes to fashion, you get to choose the rules you want to follow and which ones you want to break. I haven’t set a hard and fast colour palette for myself, but as a starting point I created this palette of nine colours, using the guide that Anushka shares in her blog post, in order to create a more versatile wardrobe for myself from this point on.
For my colour palette, I chose two neutral tones that I can pair with absolutely anything in my closet and ended up with Brown or Cognac and Cream.
For main colours I looked at which colours I already wear a lot of and chose Tan, Navy/Blue and Cinnamon.
And for accent colours, I ended up adding in the rest of my favourite colours that still coordinate and chose Black, Olive, Ochre and Buff/Peach.
I figured out which colours my neutrals were by planning a few outfits, as though I would be packing for a holiday and seeing which accessories I would put with all of the clothes I had picked. I realized that for almost every outfit, I would add either brown, tan or cream. I was a bit surprised to learn that, for me, black is actually not a neutral- it is a colour. Since I wouldn’t pair black with a lot of my clothing pieces, because it would have been too contrasting or too cool, it wasn’t a neutral for me. I ended up moving black into my accent colour section, which does make it a lot harder to shop, but I know that what I want to finish off my outfits with is brown or cognac. For example, when I was looking for my new everyday purse, I knew not to look for a black one because it wouldn’t end up going with the majority of the clothing I have, and I ended up finding a beautiful rich copper brown that coordinates with almost everything I own. (Except for that one bright dress of course!)
Of course, your “neutrals” don’t necessarily have to be neutral colours and could be any colour that you would pair with every item you have in your wardrobe. For example, someone might have a red purse and red shoes, and those would become their neutral; able to pair with all of the other colours in their wardrobe.
To figure out which were the main colours to include in my palette, I went through my favourite outfits again to see which colour combinations I liked from the past, as well as which colours I am naturally drawn to. Personally, I love neutrals, as this palette reveals! Whenever I’m browsing and I see an Autumnal hued or Neutral toned outfit, I fall completely in love with it. So, for me, choosing my three main colours of tan, cinnamon and a touch of blue was easy.
Finally, I added in my accent colours of even more neutrals with a hint of colour, including black, olive, ochre and buff/peach. I decided to move black to my accent colours, because over time I had fallen into the trap of accumulating way to much of it, which was making it impossible to mix and match. (A black skirt + a black shirt + a black coat + black boots is a little much…) Moving brown and tan into my main colours will definitely result in more versatility of the individual pieces in my closet.
Settling on this palette gives me a lot of different colour combinations. For example:
Cream + Brown + Peach Brown + Tan + Navy Cinnamon + Olive + Black
You don’t have to stick to certain number of colours in your palette either. Because I now have an idea of which colours look good on me, I can easily look at colours from outside my specific palette, and decide which others to bring in. As long as you are able to pair it with the neutrals in your current wardrobe, it should be good. For example, I have some lovely soft mint coloured wool in my fabric stash. (it’s not too bright of a colour of mint, so it will work for my Season). Mint isn’t in my personal colour palette, but I know that it will work well with brown and cream, so I am going to keep it, especially since I already own the fabric.
Also, don’t forget that, while it’s great to know which colours you look good in, you also need to choose the colours you like the best. It turns out that the colours and styles I was always drawn to the most often, really were the ones that suit me the best. Go figure! But just because a colour looks good on you, doesn’t mean you have to add it in. For example, grey is a good colour for me, but I’ve realized that I don’t particularly love it, so I’ve removed much of the grey from my closet.
Conversely, if you a love a colour that’s not great for you, keep it in your wardrobe and wear it however you like. I mentioned that black is apparently not the best colour for the “soft” seasons, because it’s too harsh. I, however, have black glasses and I do wear black a lot, and I really like it, so I have no intention of taking it out.
About 7 years ago, I had a really good colour scheme in my wardrobe. It was filled with lots of neutrals, browns and blues, but then I started wondering whether that was too boring, and I started adding in other colours. In the end, though, I just ended up with a bunch of clothing that didn’t particularly suit my colouring or coordinate well with the rest of my wardrobe. I have gotten rid of so many of those items over time because, while I did like them, I realized that they just weren’t “me”.
There are certain colours that I am drawn to over and over again, and I realized that there was no need to try and reinvent the wheel; I had subconsciously chosen a combination that really worked. Instead of trying everything that you come across, knowing which colours work really well for you can help to clear out the distractions and focus on building a wardrobe that is a true reflection of your own unique style. At the end of the day, however, the most important part of colour theory is in knowing what you love and not getting bogged down in what you “should” or “should not” wear. But if you’re looking to create a more versatile wardrobe, creating your own signature colour palette can be a great tool to simplify things and help you focus on building that wardrobe that you will love to wear!
Have you looked into the colour Seasons before? Which Season are you, and do you follow the guidelines in how you dress? Have you ever created a signature colour palette for your closet?
Dare I suggest that the Long Winter is nearing it’s end? With the warming of temperatures in the past week, it feels like it! Of course, we’ve still got a ways to go before Spring, and while that cold snap wasn’t really that long, it sure felt like it! We’ve gone from -38C to + 8C within a couple of weeks, and it has been so incredibly lovely to be able to go for a walk and open the windows for some fresh air and be able to leave the house to take some outfit photos without having to bundle up like a marshmallow. Even though I know that the temperatures will drop again before Spring, it is still worth it to have this small respite!
So, in other news, I’ve been searching for a new “everyday” purse for quite a while. I have been looking for a new one since my other purse started wearing out. (The leather strap was beginning to crack, the metal buckle had broken, and there was a hole forming in the top fold…) I bought that purse five years ago in England and carried it almost every day, though, so that wasn’t too bad, considering that it wasn’t full grain leather.
In looking for a new purse, I didn’t have a definite idea of what I wanted, but I did have a list of requirements.
I’ve realized over the years that, while I do love a good statement bag to coordinate with an outfit, most days I walk or ride my bicycle and a large handbag is just not practical to carry for long distances. I also like having my hands free for when I am running errands or going shopping, so I wanted a crossbody bag.
I also didn’t want the purse to be too big, because while I do want to be able to put everything in my purse, I didn’t want it to become to heavy to carry, or too big to fit in my bike basket. However, I didn’t want it too small, otherwise I would end up carrying a purse and a tote bag.
It also had to be brown or cognac leather and I wanted something in a vintage satchel style, but not too bookish. I wanted something timeless and classic, but not too vintage either, considering what I talked about in my recent personal style post.
I searched for quite a long time, and while I came across a lot of purses, none of them quite ticked all of the boxes until I found this one on Etsy, made by Sunray Family Workshop from Ukraine. It was a bit more than I had originally planned on spending, but I used the money I earned on Poshmark so, as my mom said, it was like I traded a bunch of clothes and accessories that I didn’t want for something that I did! I was also able to get it on sale, so that was nice too.
I was nervous about purchasing online, because I’ve been disappointed in the past with online purchases, but my fears were unfounded, as the bag was even better than I hoped it would be. I asked the seller to make it in a darker colour of leather for me, and I love the shape and style of it. It’s so nice to be able to purchase a piece directly from the person who makes it, and it really is a piece of craftsmanship. I think that this purse was a good investment, and is definitely going to be a good addition to my wardrobe since it fits in with my style description, “unconventional classic with a dash of history” pretty well.
I recently read somewhere (and I can’t for the life of me remember where) that we should stop saying that we are “investing” in clothing purchases, because the value of clothing depreciates immediately after purchasing. You only have to scroll through Facebook Marketplace, or Poshmark or ThredUp to see how much clothing has devalued once it has been worn. Even designer pieces aren’t worth as much as when they are new. Until an item has survived long enough to become “vintage”, it really can’t be called an investment.
However, I do think that even if we aren’t “investing” in clothing in a monetary way, there is another definition for “invest” that can apply to our wardrobes:
“Devote (one’s time, effort, or energy) to a particular undertaking with the expectation of a worthwhile result.”
We should carefully choose which items we buy and add to our closets, even though that may add a bit of extra bit of time, thought and effort. I think that many of the clothing pieces that find their way to secondhand selling sites or thrift shops were not thoughtful purchases, which is why they are for sale again. (I often even see items with the tags still on!) Perhaps we should coin the phrase “purposeful” or “thoughtful” shopping. I think that it is a principle that most of us could use a bit more of- at least I know that I do!
While purchasing a higher quality item might not be an investment we will have a monetary return on, it may still be one that still has a worthwhile result. Having one higher quality item is always going to be more sustainable than ten cheaply made items because it will last longer, thus reducing the need for so much production. Fast fashion in and of itself is not sustainable because of the model of consumption that it is built upon. For example, vintage clothing is a testament to the longevity of a well made item- garments from the 1960’s will outlast a newly purchased item from Forever21 because of the craftsmanship of the items.
Another worthwhile result of investing in clothing purchases, may be in having less items in your closet because the one item you truly love is better than having multiple items that you don’t love as much. I am not advocating for coveting fashion pieces, but if there is one particular piece that you want, then it’s not worth buying something else and being unsatisfied with it. Saving up to buy this one specific purse that ticked off all of the boxes was a better choice for me, than settling for a purse that I would end up decluttering down the road in favour of another because I wasn’t truly happy with it. As I’ve been going through my own wardrobe, I have tried to be careful to not turn around and immediately replace everything I’ve gotten rid of. Instead, I have been taking my time to see which are the items I should be concentrating on, and “investing” in, rather than continuing to have a closet full of clothing (or purses) that I don’t wear.
I have a few more posts coming up related to the topic of personal style and creating a purposeful wardrobe, so I think I will end this post here for today, but what do you think about “investing” in clothing? Have you ever saved up for a long time to be able to finally buy something your really wanted for your wardrobe?