Along with the warm weather, comes the time to wear summer hats, starting with the Easter bonnet, of course. While I did wear a hat for Easter this year, it’s been featured on the blog before, so I didn’t post it again. Instead, how about we take a look at some of the hats and hair accessories I have saved in my fashion scrapbook? Many of these are from wedding magazines, but could be easily worn for other occasions. I was so inspired when looking through these: now I want to go and make some flower hats! In the past I have made flowers and headbands, but they’ve always been a bit smaller…I really think it’s time to make some large statement flowers!
Above- one of my favourite hats featured in a UK wedding magazine, wouldn’t this be so perfect for an outdoor wedding?
Speaking of oversized flowers, here are two lovely ones. I think these would be fairly straightforward to make. I should try…
These pink hats, below, were probably the first pictures to start me on my vintage fashion journey. I think they were by Lilliput Hats from about 15 years ago. I’ve always been so in love with the colour and shape of them. So perfect for Spring!
I love these polka dots flowers; these images were from about 12 years ago. That shape of hat was super popular back then, wasn’t it? I think one of the first hats I ever bought was a tan wool hat very similar to this.
Here are a few wedding hats and accessories, that could definitely be worn elsewhere. Again, with the oversized flowers, the left one above is so fun! And on the right, I love the exaggerated tilt shape.
I really like the tilt on this one, above right, too.
Here is a fabulous hair accessory/hat/fascinator worn by Oprah in Vogue 1998, featuring flowers and feathers for an amazing theatrical look!
And finally, no round up of hats is complete without the classic, but nevertheless fabulous, oversized straw hat.
What kinds of hats do you like to wear in the Spring and Summer? Which one of these is your favourite? Are you inspired to try creating some large flowers to dress up some hats and headbands?
Today’s post is a revamped edition of one I wrote several years ago as a guest post for Jessica of Chronically Vintage about how to refashion a hat. I came across it again recently and decided that I wanted to revisit it with some new photos and give it a home here too. And, since Easter is this weekend, it’s the perfect time to share these techniques and inspiration in case you have a hat that you’d like to refashion!
I don’t actually own very many true vintage garments, and many of my “vintage” garments are actually ones that I have sewn myself or altered from thrift store finds. I mostly rely on making or refashioning clothing to give it a vintage vibe (whether that means adding embellishments, changing buttons, hemming to a better length or altering the fit) and then adding in accessories for the final touch to get that vintage look.
The sad, but true, reality of vintage is that there is a finite amount of it left in the world, and as time goes on it just gets more and more scarce and, thus, unaffordable for the average person. This definitely doesn’t mean that those who can’t afford or find true vintage have to miss out on this fashion style, though! Just as with any other trend or style, as in centuries past, women have made for themselves what they couldn’t afford to buy or couldn’t find in the shops, and I live by this principle today too. Thrift stores are great places to rescue cast off pieces of clothing or accessories and then refashion and embellish them so they’ll fit your own style.
Hats are great accessories for really pulling an outfit together, but sometimes it can be hard to find good hats that are not in disrepair (shattered veils, stains, moth holes…) and putting together a hat collection, when a hat that is in good shape costs a lot, is just not feasible for many of us hat lovers. This is why I have turned to making and refashioning hats: so I can get that unique vintage look, without spending a lot. If you pick up mildly damaged or ugly/boring hats that have potential, and are willing to use your creativity to alter them, you can easily build a hat collection for a fraction of the cost. This also gives you a chance to try out different styles of hats and see whether you like them before investing in the “holy grail of all hats” (whatever that might be for you). When I first started getting into wearing hats, I invested in some beautiful vintage ones that I didn’t end up liking on me. For example, over time I’ve discovered that I like my hats to have a higher crown like 1960’s style pillbox hats, rather than the flatter Juliet cap style of the 1950’s. I learned this the hard way, after I had already bought several beautiful vintage hats, and I ended up having to sell them because I just never wore them…at least they went to new loving homes! Now that I have an idea of what kinds of hats I like to wear, though, when I see one for sale at antique malls or second hand shops, I have a good idea of whether it will make a good candidate for refashioning.
My checklist for hats that I would be willing to take a chance on or pass by would be:
A hat that is not smashed out of shape, unless you think it can be steamed back into shape. If the hat is very crushed, it’s not going to turn out well. If you decide to try and reshape it, you’ll need some kind of hat form to do so, depending on the style of the hat.
One that doesn’t have large stains on it, unless there is some way to cover them up with new embellishments without it looking odd. While I don’t mind some “character”, I don’t want it to look dirty.
If the veil is torn, which is very common, see if it could be removed entirely. Most hats will look totally fine without a veil. Also, you can still buy Russian netting at many fabric stores, so you may be able to simply replace the damaged veil with a new one.
If the hat is lacking in embellishments, or the current ones are ruined, you can definitely make new ones (one example I am going to share today).
I picked up this little black felt hat for a song, from an antique store, along with a couple other hats that really needed some help. I remember seeing this hat several years ago in West Edmonton Mall (I recognized the label) so I know that this hat is not actually vintage. When I saw it new, I thought the embellishment on it was so boring that I passed on it. It seemed like they had a good thing going with the veil and the leaves. . . and then ran out of ideas, so they just plunked a little brooch on top. However, when I saw it for sale second hand, in good condition and at a much better price point than it was new, I picked it up thinking, like Lydia from Pride and Prejudice, “Look here, I have bought this bonnet. I do not think it is very pretty; but I thought I might as well buy it as not. I shall pull it to pieces as soon as I get home, and see if I can make it up any better.”
Soon after buying this hat, I came across this image from Philip Treacy’s Autumn/Winter 2015 collection, and absolutely fell in love with it. In case you are wondering who Philip Treacy is, he is a UK milliner who counts the Royal Family among his clients. I absolutely love this hat: it is so outrageous and over the top, and really what’s not to love about mint? As soon as I saw it, I started thinking about how I could make something similar, and I decided that a large flower on this hat base would be just the thing.
Here is how I created the flower, and how I styled the finished hat for an updated 1940’s look.
I made my flower out of chiffon, since we had a bunch left over from a past project. You could use stiffer organza too- which would give you the rounder pompom shape that Treacy’s has, or tulle or netting, which would be softer. I cut out a ton of circles, 5 inches in diameter. You will need 30-50 circles depending on the material and stiffness, and how full you want the flower to be. Don’t worry about being too precise, as the edges will be melted and the pieces will be gathered for the final flower. And definitely do cut your circles through several layers at once, to save yourself time!
I didn’t want the fabric to fray to pieces, so I singed the edges to finish them. Singe the fabric by CAREFULLY holding the material over a candle until the edges start to melt and curl. Be very careful with this, since you are holding a meltable material over top a flame!
You will need to hold the fabric about 6 inches away from the flame and slowly dip in and out and across so the heat starts to curl it. You don’t need to bring the fabric very close, otherwise the heat will start melting the entire circle, rather than just the edge. (Voice of experience. . . ) You should probably do this in a well ventilated area too, by the way.
Once you have singed the fabric, you will be left with curled lily pad shaped petals. Take a circle and fold it into quarters. Stitch through the corner of the folded piece, catching all 4 layers, and loop to tie a knot so it won’t pull through the fabric.
Continue to string together the folded circles using the same method, until the flower is at your desired fullness.
Once you get a fuller shape, you can gather some of the centre petals so they are fuller, as the soft fabric likes to “flop”. If your fabric is stiffer, you can continue stringing until you get a pompom shape. For mine, with the softer chiffon, I gathered the entire flower together in my hand and stitched through the entire bottom of the flower to give it some shape. Just play around with the fabric and arrange it into a nice shape- there isn’t a hard and fast method.
If your flower is softer and going to lay open, you can sew a button, a bead or other embellishment in the centre of the flower to cover up the stitching. If your fabric is stiff, you can just keep adding to it and you will get a lovely round shape and won’t need a button at all.
Sew a little round felt disk to the bottom, to keep the flower in shape. If possible, do not glue the flower onto your hat, since the glue may seep through the light fabric.
Sew the flower onto the hat with cotton, or other natural fibre, thread. If possible, don’t use a polyester blend thread, as over time polyester can cut natural fibres, and you will be left with holes. You could also add a brooch pin to the felt disk, instead of sewing it directly to the hat, so it is removable, in case you want to use the same hat base for multiple embellishments. And then you’re done!
I don’t have a before picture of this hat on my head, because it was severely unflattering, but here is the after! A giant flower is really what this hat was missing. Mine turned out a lot smaller than I was originally planning for and less pouffy because of the fabric I chose, but I think it works well for the style of the hat. By simply adding some embellishment, this hat is now completely transformed!
Here are some other ideas for how to refashion a hat with a different look, which might work for you if a giant pompom/flower isn’t really your thing.
From Chapeaux Élégants, 1942
Bows. I’ve seen this kind of hat with a giant stiffened bow, upside down bows, bows made out of contrasting fabric or coordinating, ribbon bows, right side up bows or a myriad of smaller bows…the sky really is the limit when it comes to bows. I’d really like to make a giant sculptural bow one of these days!
Loops and twists made out of wool, or sculptural ribbons. This is a really simple, yet architectural embellishment. I’ve also seen where the wool is looped back onto itself in all sorts of different shapes. This is a much simpler hat decoration, but one with a lot of impact. If you can find a similar colour of fabric, or a contrasting colour, this is a very easy embellishment to create.
Sears Catalogue 1947/48
Feathers. You can use smaller feathers, or even large curled ones. I have a pheasant feather that I want to steam into a curled shape and attach to a hat, but I haven’t got a hat yet to put it on!
A cluster of artificial flowers. You could either group purchased flowers, or make your own ribbon or fabric flowers. I’ve seen so many different types of flowers on hats, it all depends on what you plan to wear the hat with.
If you’re looking for some hat inspiration, here are my favourite places to look:
Online vintage shops. This is a great place to look for true vintage inspiration.
Pictures of the Royal Family, the Duchess of Cambridge in particular, who are often seen sporting beautiful hats.
Allport Millinery is an Australian milliner with such amazing hats- her website is just full of gorgeous pieces.
Of course, we can’t forget Philip Treacy, where I got my original inspiration from.
And if you’d like to see more “hatspiration”, I’ve created a Pinterest board of the lovely hats I come across while browsing!
I love how this hat turned out; I’ve styled it in many ways over the past few years. This outfit I paired it with is one that definitely has a Classic vibe to it, rather than overtly vintage, but I’ve worn the same hat here and here before. It’s quite a versatile accessory!
I hope this has inspired you to look at the garments and accessories you have, with an eye towards how to make them work for you. Maybe it will inspire you to pick up that ugly hat or other item you would usually pass up in the thrift store, and refashion it to become your new favourite piece. Maybe all it needs, like this hat, is a new embellishment!