Is it too early to start wishing everyone a Merry Christmas? I don’t know why, but I’m just feeling the Christmas spirit early this year! And by early, I mean the last week of November instead of the first week of December. Growing up, we never put up our Christmas decor before December, and because we always get a real tree, you truly can’t put it up too early or it will be dry and dead by Christmas Day. However, I do now like to put up my other Christmas decor before then. And for some reason, this year I was just itching to pull out my boxes and get my room in holiday mode, so I decorated this week.
As always, I used pretty much all the same decor, but styled the pieces in different ways to keep things interesting. The only new acquisitions were the adorable mini Christmas trees, which I picked up a few weeks ago from the thrift store for $3.00. (There were also some larger bottle brush trees in the bag, but I gave those to my sister) Honestly, no one ever need buy new Christmas ornaments, trees, tablecloths and tins ever again; I’m sure there are more than enough available at the thrift stores!
I also only used about a 1/3 of the Christmas decor I have, because it would look like a decorating store exploded in my room if I used it all. I only have two storage boxes with decor, but it’s not that big of a room either.
As for those new mini Christmas trees, I arranged a couple on the top of my shoe shelf, but wasn’t sure what to do with the others since they are a different colour and style. Then I realized they fit perfectly on the picture frames in my gallery wall! It’s a subtle detail that makes this wall look so festive.
Another recent acquisition, though not holiday specific, is this wooden bowl from the thrift store. It was a salad set of 5 pieces and I only wanted one small bowl for another project, but decided to keep them all rather than split off an incomplete set. The bowls were in pretty bad shape; cracked, and in desperate need of an oiling, but for $3.00 for the set, I took a chance. I sanded them smooth, glued and clamped the cracks back together and then oiled them with linseed oil and they look gorgeous now! (I didn’t remember to take a before picture, so you’ll have to trust me!) The large bowl was the perfect place to display some dried orange slices and pinecones on top of my dresser.
I also redecorated the top of my dresser with some of my fashion books instead of a tray. I’ve been wanting to try this for a while, but I’m not sure whether this was a smart idea because I’ll have to move everything off if I want to look at my book! But it does look nice in the meantime. And again, this year my woodburned garland found it’s way to the top of my dresser mirror.
Now for the statement piece of the room: the garland over my window! I decided to try a garland across my window this year, rather than doing a bouquet with berries and branches like I’ve done in the past. We have a massive juniper thicket growing at the edge of our treed area; you can gather branches from it every year and never even notice they are gone, so it’s perfect for winter decorating! (I don’t know how I’ll decorate if we move!)
Juniper has a fairly long cut life. I’ve had bouquets last 2 months before in a vase, and even when it starts to dry, it just gets lighter in colour and crispy, but doesn’t drop needles. So, I don’t know how well this is going to last, and if it’s going to make it to Christmas Day, but I thought I’d make a garland out of live branches. They are up high so even if they do get dry and crunchy, they’re not going to get mussed around. I think if I just leave them there, and don’t touch them, they should be fine.
They did smell very strong and earthy when I first brought them in, and I wasn’t sure about the smell since it’s in my bedroom, but after an hour it dissipated as the branches warmed up.
And I love how the window turned out! The red berries are festive, but not too bright, and the tan berries really give it a nice natural feel. And of course the fairy lights add the perfect sparkly touch (and they make a great night light too!)
For the rest of the room, I added my paper crafted house and tree made out of book pages that I made last year, and some pinecones to my bookshelf.
I also hung up my favourite little winter scene by encaustic artist Donna Hanson on the wall by my closet. I always get so excited to hang this one up in Winter- I love it!
And as a final touch, I hung my mini silver wreath over my gold oval mirror, placed an evergreen bouquet on top of my shelf, and scattered a couple of beeswax candles around. I have been enjoying burning them in the evenings when I read, which just adds such a nice hygge atmosphere.
I think we’re going to decorate the rest of the house this week, which I’m looking forward to. We’ve got some renovations going on, so the areas to decorate are fewer than previous years, but it’s still nice to put out a few festive touches despite, or perhaps as an antidote to, the chaos.
Did you get your Christmas decor up early this year, or are you still planning to wait a while? Do you like to try new things each year or stick to a tried and true formula? What is your favourite Christmas decoration?
I’ve mentioned a couple of times that I’ve been working on a furniture refinishing project…and here it is! I thought it was going to be a weekend project, but this antique Empire style dresser ended up needing a lot more work than that. However, after a few twists and turns, I’ve finally finished it, and I absolutely love how it turned out.
So for some background, my uncle gave me this Empire style dresser several years ago. It had been stored in his workshop for a while and, as he was clearing some things out, he decided he wasn’t going to refinish it. He knew that I liked antiques, so he passed it on to me. I didn’t have time to refinish it then, so I put it in the garage and left it for a couple of years…but I finally decided to tackle it this summer!
It was in rough shape and desparately in need of some help. I wasn’t sure whether I was going to strip and stain it or paint it, but when I unearthed it from the garage and brought it into the workshop, I discovered that there was more damage than I had remembered.
As you can see in these photos, the finish had crazed and “alligatored” over time. This can, apparently, be caused by heat and sunlight (being stored in a shop/garage for several years probably didn’t help that much). The top of the dresser was also extremely warped and cracked. I wasn’t sure if it was salvageable, or if a new top was required. The wood was also chipped along the bottom of the side panels, so the decision whether to paint or stain was decided in favour of painting.
At this point I was contemplating painting only the sides and drawer divider frames black and then leaving the fronts of the drawers stained wood. I’ve seen a few pieces of furniture done this way and it can look really beautiful. However, I wasn’t sure if it was something that I was going to love for a long time, or whether it was going to be one of those trends that would date the piece in about 10 years and I’d get tired of it. I was a bit hesitant to put the time and effort required into a piece that I wasn’t sure would stand the test of time….so I debated this for a long time. (Ask my family- I drove them nuts trying to make this decision!)
But before any of those kinds of decisions were made, the first step was to dismantle and sand the entire piece to get rid of the alligatoring. I unscrewed the top from the dresser, and immediately cracked the wood around one of the screws. This wasn’t off to a good start! When I removed the top, I also found these artifacts tucked up inside, but I can not find much info online about Laco Lamps. This advertisement is apparently an ink blotter, and there is one for sale here from a different store.
I had originally assumed that the dresser was veneer, but as I dismantled it, I was surprised to discover that the drawers were dovetailed and the rounded drawer fronts were solid cherry wood! That was my first clue that this dresser was old. The finish on the dresser was very interesting, as well. I had originally thought that the pattern of the wood was the grain of the wood, but realized that it was actually a design printed onto the dresser, and then stained over the top with red stain in order to make it look like an exotic wood.
After the dresser was apart, I started sanding. And sanding. And sanding. After half an hour with the orbital sander, the finish on the drawers wasn’t even coming off. It was getting dusty and scuffed, but that alligatored texture was not smoothing out.
Thus I switched to Plan B, which was doing a test to see what kind of finish it was: shellac, varnish, lacquer, acrylic… I did a test with alcohol and the finish did start coming off, so I determined that it was shellac. This was interesting, because shellac has not been a commonly used finish for many years; it fell out of favour after the 1920’s as a commercially used product. That was my second clue that this dresser was fairly old.
I spritzed alcohol onto the drawer fronts and wiped them with a rag. Again, after half an hour, some of the red colour was coming off onto the rag, but the finish wasn’t dissolving enough to completely come off. I was beginning to wonder if this was why my uncle had decided he didn’t want to refinish the dresser…
So, of course, it was a long weekend and the hardware stores were closed, but we had some paint and varnish stripper from a previous project and my brother had mineral spirits on hand for me to use to clean up. I put on a ventilator and got to work with the stripper. While I was hoping to avoid the use of solvents, you’ve gotta do what you’ve gotta do. Oh and, I forgot to mention, we had a heat wave as I was trying to do all of this! I got up at 6:30 each morning and went out and worked on the dresser for about 2 hours until the sun got too warm to work in. It took a looooooooot of application and scraping, but I eventually was able to dissolve all of the finish off. (I lost count but I think it was over 10 hours.) However, the red stain colour was soaked into the wood and would require a ton of sanding to bring back down to bare wood. The red stain was a less than lovely colour; I don’t mind cherry wood stains, but this one was a bit too maraschino for my taste.
Thus, at this point, the decision whether to stain or paint the drawer fronts was decided for me by the dresser… and that was to paint the entire dresser, staining only the top. (This piece of furniture had a lot of opinions about how I was going refinish it!) At one point in the stripping/sanding process, I had tossed around the idea of painting the dresser a creamy white, but somehow this dresser just wanted to be black. One of the most important things about refinishing furniture is in going with what will enhance the beauty of the piece. I do sometimes shed a tear when I see people painting beautiful antique pieces without a thought of whether they are improving or degrading the beauty and integrity of the piece. Even though I do love white furniture, the heavy rounded shape of this dresser demanded a dark colour! Fortunately I had some black Country Chic paint on hand from previous projects.
I decided to try an antiquing method, watering down the paint slightly, painting sections and then wiping some of the paint off in strategic areas around the edges of the trim, knobs and drawers to mimic the look of a timeworn historical piece. The most important part was in making sure that the wear pattern wasn’t too uniform, so it would appear as though the paint had rubbed off in high use areas. It turned out just as I was hoping for! The maraschino red colour actually looks very pretty when it’s just peeking out under paint, rather than covering the entire piece. (Ps. you can see my inspiration Pinterest board here).
As for the top, I was able to salvage it. First I sanded it down to bare wood, as much as I could. There were some red patches left behind, but I figured they would blend into the new stain, which had a red undertone anyway.After sanding, I wet the bottom of the wood with a towel to encourage it to swell and go back into shape, but I didn’t think to clamp it, so it warped again as it dried, even worse than when I had started. Oops! It also caused a lot more of the red dye to bleed out (which I had to eventually sand again…I was really getting tired of sanding that red dye!) So, then I googled how to fix the top, and found a few woodworking tutorials about straightening boards. I then wet the wood and clamped it between boards to encourage it to dry straight. However the clamps weren’t strong enough, so I ended up wetting it for a third and final time, laying it out on the garage floor, covering it with towels so it wouldn’t get scratched and then piling three layers of bricks on top to weight it as it dried. That worked! While there is still a slight bend in the wood, it was enough to be able to attach to the top of the dresser, and I don’t think anything could have gotten that warp out of such old wood. I also didn’t worry about the cracks; I had originally planned to use wood filler, but decided to just leave them as “character”.
After the top was reattached, I stained it in three coats of “Mission Oak” by Varathane. I wasn’t sure about the resulting colour and wanted to stain it a bit redder and darker, but after buying a stain which ended up being the completely wrong colour, I decided to just leave it as is. And, after a few weeks of living with it, I’ve decided that the colour is just fine.
I oiled the top with Tried and True linseed oil, which is a product I’ve used before and really like. It smells like fish and chips when it’s first applied, but it at least it doesn’t have any chemical dryers, so you can apply it indoors!
As for the black painted section of the dresser, I waxed it with the Country Chic natural wax, because I’ve never done a piece of furniture that way before, and well … I’m not in love with it. The wax didn’t cure well or dry very hard- it almost has a bit of a tacky feel to it in spots and the dust has stuck into the wax some areas. I don’t know if I didn’t buff it enough or whether something else went wrong? I’m going to leave it for now, but I am planning on getting a buffing pad to attach to a sander and will try going over it with that to see if it will polish it smooth. At worst it might remove some of the wax, but that’s OK. It will just make the piece look even more aged, right? I wish, in hindsight, that I had oiled the painted sections, because the linseed oil cures to a dry finish, which is also quite a historical look. The wax is historical too, I just am not sure if it was the right choice for a black piece of furniture. Black shows everything!
One of the other fixes that needed to be done was the knobs; one of the small knobs was cracked in half. The bottom had been glued back together, but a piece was missing. I was hoping to be able to buy a new small knob to replace it, but I couldn’t find this shape of knob anywhere. Then, I thought I’d replace all four small knobs with reproduction brass ones from Lee Valley, which would have been nice, however, their store is several hours away and I didn’t want to order online because I needed to match the brass colour of the keyhole hardware. Finally I thought of sculpting a piece of clay to fill in the broken section of the knob. However, when I talked to my brother, who does mini figure models, (and the one who came to my rescue with the mineral spirits!) he said he could mold me a knob to match! Even better! I am a novice at using the material he made the knob out of so my sanding/smoothing abilities on the knob were less than excellent. However, I painted it brown and red to match the colour of the other ones, and then painted it black, and you can’t even tell which knob it is…except for the fact that I just showed you!
Finally, the last step was to line the drawers. The drawers were strong and sturdy, just needing a bit of glue and tightening up, but the some of the insides were damaged and splintered so I decided to line them with wallpaper. I was browsing on Rona and Home Depot to see what was out there, and was envisioning a soft vintage inspired floral, like this, or even something fun and quirky, but softly coloured like this, but as soon as I saw this Art Nouveau paper, I knew it was the one!
This wallpaper is by Crown and it is the Flora Art Nouveau pattern in Peacock Green. (They also have a Russet colour way available). I love William Morris and Arts and Crafts wallpaper patterns, but they aren’t something that I would ever do on my walls. However, a peek of pattern and colour in a dresser drawer is just perfect. After I got the wallpaper, I learned that it is actually an archive print from 1910, which would explain why it’s got such an authentic Art Nouveau feel! I love seeing at it every time I open a drawer and the colours in the pattern perfectly match the red and black tones of the dresser. I attached it using Mod Podge because I wasn’t sure whether starch or wallpaper paste would stick to the rough wood. The Mod Podge stuck very well, and if the wallpaper ever gets ruined I will just replace it with new wallpaper, so I’m not concerned about potentially ruining the wood with the glue.
So remember how I said that as I worked on the dresser, I was starting to get the idea that this was a pretty old piece of furniture? Well, there is a stamp on the back that reads “The Coye Furniture Company”. Upon looking into it, learned that the company was founded in 1899 in Stevens Point, Wisconsin by Mr. William Henry Coye who had moved to that town from Grand Rapids. There is very little information about the company, but I did find a couple of print records. One is this “cordial invitation extended to visiting buyers” from the Coye Furniture Co. in this Grand Rapids Furniture Record, Volume 31, Page 114 from 1915. It says that the Coye Furniture Co. will be exhibiting in the Karpen Building in Chicago, although they, sadly, didn’t run any other ads in the catalogue. I would have loved to see what furniture pieces they were showing! Maybe they were showcasing this model?
That’s pretty much all I could discover about the company until 1916. In that year, another furniture factory owned by the Joerns Furniture Company located in Sheboygan, Wisconsin was destroyed in a fire. The Joerns company had been founded by the three Joerns brothers in 1889. After the fire, they purchased the Coye Furniture Company factory in Stevens Point and began operating it as part of their furniture manufacturing company. Any mention of Coye disappears after that sale, while the Joerns company is still in operation today (Although they’ve renamed, and instead of residential pieces, they now make hospital and healthcare furniture.)
So, while I don’t have hard proof, this information, coupled with the fact that the drawers were solid dovetailed wood, and the piece was finished with shellac makes me think that this piece dates from before that 1916 transfer of ownership! I don’t think any pieces made after the company sold would be marked with the old Coye company name, although I could be wrong. There also was that Laco Lamps advertisement, which I thought dated later, but that eBay listing has it placed between 1910-1915 although I couldn’t find any other information as to whether that’s an accurate date or not. When I first got this dresser, I had assumed it dated from the 1940’s or later, but finding out that it is over a hundred years old makes me happy to think that I “rescued” it and restored it back to it’s former beauty, albeit with a different look. And, it’s also so perfect that the wallpaper pattern I chose is from the same time period. How serendipitous!
I don’t have a permanent spot for it yet. Because it’s an Empire style dresser, it is very big, and very heavy measuring 46″ wide and 22″ deep. It doesn’t fit in my bedroom, so I’ll have to squeeze a spot somewhere else in the house. I’m using it to store linens, silverware and decor in it; the deep drawers hold so much! I also forgot to mention that there is a matching mirror, but the structure that held it is missing. I didn’t refinish the mirror since I’m planning on using the dresser as a buffet, but maybe I will fix it one day.
I can’t say that I really enjoyed every step of this furniture refinishing process, it was a bit of an unexpected journey, but I do love saving and repairing things, and I’m so happy with how it turned out!
Have you ever started a project only to discover it was going to be way more work than you first thought? Or that you had to change your original plans as you went along? Do you know any other information about the Coye Furniture Co.?
The sewing project I’m sharing with you today has taken me years to complete…literally, and there were two things that sparked the idea for this project. One, I read a news report several years ago, right when the Canada Goose winter coats were super popular, about a company making counterfeit coats filled with factory floor textile sweepings instead of goose down. Aside from the fact that they were scamming people, I thought that using up fabric scraps as insulation was actually a pretty ingenious idea. Then, right about that same time, I saw a blog post by Brittany of Untitled Thoughts (I can’t find the specific post) about a pieced scrap pouf which had been filled with cotton quilting fabric to use as a means of storage in your sewing room. So, I melded the two ideas and now several years, and a LOT of scraps, later I have finally finished my (almost completely) zero waste pouf!
What exactly is a pouf and what makes it different than an ottoman or a footstool? Well, an ottoman or a footstool has legs or is made of a frame with a padded top, whereas a pouf is just like a giant pillow, without any kind of base structure. So are you interested in making your own? Here’s how I did it!
First, you will need to start saving scraps, and this is the longest part of the project. I saved everything including synthetic fibre clothing such as t-shirts, hoodies, jeans and pantyhose which couldn’t be used for rags. I also saved the seams out of the garments that we did cut up for rags. And, of course, I saved sewing scraps of all sizes, like I mentioned in my post last week. I saved these textile scraps in a giant black garbage bag and though I initially thought I had way too many scraps, I actually ended up using all of them plus more. In the image above, that is a metre stick for reference.
Once you’ve gathered about 1.5 times the amount of scraps you think you’ll need, it is time to start readying your pouf lining!
Figure out the dimensions of your pouf. I made mine 20″ across, so the circumference was approximately 63″ around. I mapped out my pattern pieces on a grid paper determining what size of pieces with seam allowances would fit exactly into the fabric I was going to use. Also note, depending on which kind of fabric you’re going to use, you might want to make the bottom out of a more durable (and affordable!) fabric like canvas since it won’t be seen anyway. Originally I was going to make my pouf out of mustard velvet, and pleat the top into the centre like a vintage round pillow, but once the fabric arrived (from Etsy)…it was not the right colour of yellow, so I ended up changing my plan.
Cut out 2 circles, with seam allowances, to use as the top and bottom and then either one piece or 2 pieces for the sides.
I used cotton canvas as the fabric for my lining bag, and I did a double layer with an old worn out mattress cover to prevent any lumps from the stuffing from showing through. You could use fleece, a wool blanket or towel as an interlining. If you are using a thick upholstery fabric, I don’t know if this step will be as important, but if you are using a thinner outer fabric, then I would definitely add that second layer. Sew the two layers together and then work them as one piece.
Sew the side piece together at the ends. Then measure the bottom circle and side piece into 4 even quadrants and pin together at those points and sew together. Do not sew the top circle on, because it will be added later.
Now it is time to stuff the lining bag! You don’t want to just wad the fabric in, otherwise it will get very lumpy and misshapen. Here is the method I used to avoid as much lumpiness as possible.
First, sort your scraps into piles of soft materials like fleece etc. that you will use to smooth out lumps, bulky and heavy or large pieces of fabric, and any tiny scraps. This step of sorting through and cutting the scraps will definitely make you feel like you are one of the children in the pawn shop in the 1951 movie “A Christmas Carol”. Take your small scraps and cut into 1″ or smaller pieces. I did this over several days to avoid my hand cramping.
Once you have a large batch of shredded pieces, place a layer several inches thick across the bottom of the bag.
Then, take your larger scraps and fold them. Lay them flat in the centre of the pouf and keep stacking until you have a layer several inches thick. Take more of the small shredded scraps and sprinkle them in between the centre folded “pillar” and the lining bag to create a bit of soft insulation. (Folding the pieces into the centre means that they won’t compress too much over time, so you won’t end up with a lopsided or deflated pouf.) Keep folding pieces into the bag and adding the small scraps around the outside. Once you’ve reached the top of the lining bag, it is time to attach the top.
Again, make sure to pin on four equal quadrants like you did for the bottom and pin the top circle to the side piece. Hand stitch the pieces together. You can use any colour of thread for this since it won’t be seen; I used up a bunch of old spools of red thread that had only tiny amounts left on them not enough for a larger projects.
Once you’ve stitched the “lid” halfway around the circumference, knot your thread because it’s time to start stuffing again!
This is the time to use any fleece, batting or other soft materials, so you’ll get a nice smooth top to your pouf. Fill in any gaps with more shredded pieces. Keep pushing scraps into the bag; it will take more than you think you need. Once you’ve got the one half pretty well full, then sew another quarter of the top closed and with that final small section, push as many scraps as you can into the bag. Then finally stitch the last section closed.
You are not quite ready to cover your pouf, though. It is time to sit on it and squish it down and punch it into shape and let the pieces settle for a while. It will be pretty solid, but after while of use, it will slightly deflate and then you can add more scraps to the top. I left mine for a couple of months (because I was trying figure out how I wanted to cover it once the velvet didn’t work out) but it actually worked out perfectly that way, because it really gave time for the scraps to squish down. I would recommend leaving it for a few weeks, making sure to sit on it every once in a while to press it down.
Once the scraps have settled as much as they are going to, open up a quarter of the seam in the top and add more scraps! Use more tiny shredded scraps to fill in the top and then once it is stuffed to overflowing, stitch the top back together. You will now have a very solid (and heavy) pouf form ready to be covered.
There are lots of ways you can make a pouf (like a Morrocan style or gathering the top like I mentioned earlier) but I ended up doing a simple 3 piece top, side and bottom since I chose to cover mine with a quilt!
This was the quilt that I had on my bed for about 14 years, and it has started to show it’s age. Now that I have a new quilt, it was time to retire this one. At first I was debating dyeing it, but then I realized that white would actually be the perfect colour for my very light and bright bedroom. Maybe if I eventually get the sofa of my dreams (vintage yellow and cream floral) I will recover the pouf in yellow velvet and put it with my sofa, but in the meantime it works quite nicely in my bedroom beside my closet. And since I’m not actually putting my feet up on it, like if it was in front of my sofa, the fact that it’s white should be all right. (I hope!)
My quilt had a border pattern which I utilized as the side piece- I cut one long strip 15″ wide the full length of the quilt. Then I cut the top and bottom circles out of the middle diamond quilted section. (PS. There was just enough fabric to use the end pieces of that strip to make a square cushion cover too!)
Cut your outer pieces the same dimensions as the lining. Sew the top and side pieces together, again pinning in even quadrants and easing it all the way around.
Once I placed my cover on the pouf, I realized that the fabric had stretched out quite a bit and the top edge was hollow, so I brought it back to the sewing machine and sewed a 1″ seam allowance all the way around, instead of a 5/8″. Make sure to test the fit of your outer fabric, just to make sure that it fits well.
Next stitch a seam guide along the edge of the bottom circle and the side pieces (in the same colour of thread as your fabric) so when you hand stitch them together, you will have a guide to follow. I stitched a 1″ seam allowance guide from the edge.
NOTE: This time we are sewing the top and side pieces by machine, not the bottom and side pieces as we did with the lining, because we are going to hand stitch the bottom this time, not the top. If you are using a fabric other than your upholstery fabric for the bottom, then that is the piece you will be hand sewing later.
Again, measure your 4 quadrants on your bottom circle and side pieces and mark with pins or chalk. Place your cover onto your pouf and then flip it upside down. Now, line up your 4 points and pin together. Then work your way around between the 4 points and pin together, easing as you go.
Your stitched seam guide will help here because now you’ll know how much to fold under for your seam allowance. If, once you’ve pinned the pieces together, it looks like it’s going to be too loose then you can fold it more as needed. It’s OK if your bottom circle is a bit smaller than the top, because then the seam will tuck underneath the pouf and be hidden.
Now it’s time to start hand sewing again. This is best done while listening to an audiobook or podcast (I listened to A Tale of Two Cities)! When stitching, don’t start at one point and work your way all the way around, but instead start at one point, sew about an 8″ section, then rotate the pouf 180 degrees and sew a section directly across. Again, sew a section and then turn 90 degrees and sew a section and so on, until all of the sections meet. This way you can ease your fabric pieces together without ending up with bubbles, and, if needed, you can make adjustments- pulling the fabric in tighter etc.
Once you’ve knotted your last thread and turned the pouf right side up…then you are done. Congratulations, you have managed to save a huge amount of textile waste from the landfill and turn it into something both useful and beautiful!
I love how this project turned out and I had a lot of fun making it. It fits perfectly into my bedroom, and I am very pleased that I was able to use mostly salvaged materials; it was the perfect way of using up fabric scraps! The worst part about finishing this project is that I already have a bunch of new textile scraps…what on earth am I going to use them for?
Do you think you’ll make a project like this? What fabric would you use to cover it with? Do you have any other ideas for ways of using up fabric scraps?
It has been few months since I moved into my new bedroom… but I’ve finally finished decorating it! I might change some things in the future, as I do like to redecorate occasionally, but for now it’s pretty much finished, and I love how it turned out. This room really feels like “me” in a way that I don’t think I’ve had since I was 8 and had a pink and purple room with Barbie wallpaper. I’ve had a lot of different bedrooms over the years, but somehow none of them ever felt just perfect…and this one does. The only thing that would make it better is if I had vintage wooden floors instead of vinyl (haha).
When I was planning to move into this room, I took some time thinking about what I wanted it to look and feel like, what colour I wanted it to be, and after moving in, to take my time deciding where to hang pictures etc. I’m glad I did, because I love its eclectic vintage cottage inspired feeling. A few years ago I read something about defining your decorating style and I came up with “a fashion designer moves into her granny’s kitschy English cottage”. There usually isn’t much of a rhyme or reason to my decorating- I just decorate with things that I like. And the things that I like are usually fashion related, English cottage, antique, natural, a hit of 1970’s kitsch, and I always like to add in a least a few ugly or funny things to keep it from being too serious!
First, when you enter the room, you see the opposite wall with the window. Because this is a North facing room, I chose to paint the walls a warm, ivory white. The colour is “Acadia White” by Benjamin Moore. I got paint chips and debated getting a sample to test the colour first, but just decided to jump in headfirst with it, and it was a great choice. It has a slight undertone of ivory/yellow in it, but it’s not too saturated. In a South facing room I think it would definitely pick up those yellow tones, and perhaps lean a bit towards buttery yellow, but the cool light in this room tones it down to a perfect cream. I found in the past that crisp whites can turn grey in the shadows, so this was a perfect choice of colour and the room is always warm and bright even on cloudy days.
If you turn to the left wall, you will see one of my favourite two things about this room: my gallery wall! I have been wanting a full gallery wall like this forever, and have been collecting frames and artwork for years. Now I was finally able to put them all together like this on one wall…and I love how it turned out. I didn’t start out planning for a gold, black and cream colour theme, but as I started gathering the artwork and frames together, I noticed the colour scheme emerging and decided to continue with it. I left some of my more colourful art pieces out of this arrangement and will hang them elsewhere.
To hang this gallery wall, I took a photo of each piece, and a photo of the wall, and then moved them around in Photoshop until it looked like a good arrangement. (Making sure there weren’t too many black frames or wooden frames beside each other etc.) Then I traced each frame onto wrapping paper I had saved from Christmas and taped the pieces onto the wall. Once I was sure of the placement, I measured where the nail needed to go, and then hammered it right through the paper. It worked like a charm! I didn’t have to mark up the walls at all, and every single frame was exactly where it needed to be without gaps or spaces. If you are planning on hanging a gallery wall, definitely do it with paper. It was my first time with that method and I am never going back.
There are definitely no secrets about what my hobbies and interests are in this room. Almost all of the artwork is fashion, floral or vintage themed! (Or portraits of people we have no clue who they are). My wall is a mix of postcards and greeting cards, calendar pages I saved, one of my own artworks, book pages, some photos of my family and friends, and some art pieces I’ve picked up along the way. (Two pieces that are, sort of, still available are the black framed diamond print of The Five Solas that I got online here. And I have a print that is similar to that “Story of A Dress”, of a dress, but without the text, available in my Society 6 Shop here. ) Many of the frames are second hand or thrifted, some are IKEA frames, and a few were picked up at Michael’s craft store or Walmart years ago.
Also along this wall I placed a short bookshelf, which gives me a spot to put flowers and seasonal decor and other knick-knacks. I wallpapered the back of the shelf, but unfortunately the glue just didn’t want to stick, so you can see the seam. Maybe some day I’ll get around to redoing it.
As you saw in my closet tour, I keep shoes on the shelf, as well as clothing/shoe care items in the basket. Gloves and sunglasses are in the round box, stationery is in the shoebox, a couple of clutches are on display and then all of my vintage books are on the top shelf.
I love lace curtains and I hung these with curtain rings to add some interest.
Turning to the right there is a small pathway as wide as the nightstand alongside the bed. I like to have my bed out from the wall, if possible; it’s so much nicer to make the bed when you can access both sides! On my nightstand is the ever present stack of books to be read.
And here you can see my other favourite thing about this room: the bead board wallpaper. I turned on the lamp so you can see the shadows picking up the texture of the wall. Up close it doesn’t fool anyone, but from a distance it really does look like bead board. I love how it gives such a cottage look to the room, as well as being a subtle focal point.
I was originally planning on hanging a row of three botanical prints above the bed, but after living with the room for a while, I realized that I liked having this wall left bare. It gives a bit of negative space, while not being completely boring. And this way I can have all the artwork on the opposite wall without overwhelming the room. (And I love being able to sit in bed and look at the artwork).
My bed is covered with my favourite Battenburg lace pillows and the quilt and pillowcases made from vintage sheets. I used to have a lot more decorative pillows on my bed, but I got tired of having to remove the mountain of them every night.
To the other side of the bed is my vintage dresser. I inherited this piece from my parents. I didn’t ever officially inherit it, I just had it in my room for a long time, and so I kind of absorbed it into my belongings. It was originally my great-grandmother’s and she refinished it with Danish oil which gives it this lovely patina. And it has such a pretty mirror, doesn’t it?
Continuing full circle in the room, we at last come to the least pretty part of the room (because there’s no way to hide my very plastic air purifier!) I’ve already shared a more thorough look at my closet in this post here, so I won’t share it again today. That chair is just there temporarily, because I have plans for another project to take it’s place…if all goes well I will be able to share that on the blog sometime in the future.
Finally, here is the top of the dresser. A hat stand, featuring a seasonally appropriate hat, and a tray with perfume and jewelry on it. And, on the right side you can see the handle of my vintage mirror and brush. I don’t use the brush, but I do use the hand mirror all the time!
Well, there is my vintage, English cottage inspired bedroom! I’m so happy with how this room turned out, and I enjoy spending time in here. I’m going to be sharing another post about decorating either next week or the week after, so stay tuned for that.
How would you describe your decor style? What is your favourite thing about your home or bedroom? Have you ever moved into a “blank slate” and, if so, did you take your time or did you know right away how you wanted to decorate it?
I love decorating, and I especially love salvaging old furniture and “junk” and transforming them into new pieces for my home. While it can be fun to buy new ready-made things, it is so satisfying (as well as zero waste!) to save something old or broken from the trash and turn it into something completely new. While this post is a little bit out of my usual blog niche, I am really happy with how this latest DIY craft room organizer project turned out, so I wanted to share it here, in case it can provide you with some inspiration.
At the shop I used to work at, we had these carousel stand organizers, but they were poorly made, and over time the bases broke. They got put in the back storage room until we were clearing out the store, and my boss decided that she didn’t want them anymore. I couldn’t bear to put them in the dumpster, so I called my mom and asked if she thought we could do something with them. At the time, I wasn’t actually thinking that I would use them as a spinning organizer- I was thinking more along the lines of turning them into plant stands, or hanging them as outdoor planters. My mom said we should definitely save them, so we brought them home and put them in the workshop…where they have been sitting ever since! Then, a few weeks ago when my dad was cleaning out the shop, I was reminded of them again, and started thinking that perhaps an organizer for my sewing and art supplies would be a good idea after all. I was trying to think of some way I could make a new base, or fix the old one, when my dad mentioned that he had seen an old umbrella stand at the dump. “Aha!”- that was the perfect solution!
I was just going to use the original rod, paint it and call it a day, but my dad came up with a much better method of building the pole/ stand. Even though you probably won’t have baskets exactly like these, this method could still be used to easily create a stand with trays, or other baskets.
I also saw this picture online of a vintage pole plant stand, which I think would be so cool to make with this method (especially since the only other versions I can find online are ugly plastic ones!) If you offset the trays, or used small wooden shelves you could easily make a really cool space saving plant stand!
OK, so here’s how to make this DIY shelf/organizer. My dad did all of the work with the pipe, and I basically just did the painting! Firstly, I took all of the basket pieces apart and cleaned them with some soap and water and then rinsed them with the hose, because they were very dirty!
We used 3/4″ copper pipe and couplings to create the pole. I know that new pipe can be expensive, but we had a bunch of old used copper pipe lying around from past renovations, so it worked perfectly for me. You could also salvage pipe, use black steel pipe (which has all sorts of threadable pipe fittings available) or even use an extendable metal curtain rod.
We cut the pipe with a tube cutter into the lengths needed. The bottom two pipes are 17″ and the top one is 10″. We then used 3/4″ pipe couplings to create the connections for the baskets to sit on top of (so they don’t slide down the pipe). The bottom basket sits directly on top of the umbrella stand, and then the pipe threads through the middle, and so on until the top.
Because the umbrella stand’s diameter was much wider than the pipe, my dad made a wooden spacer with a 3/4″ hole drilled through put inside the tube for the copper pipe to slide through. There is a coupling flush with the top of the stand and then a washer on top as a spacer for the basket so it doesn’t sit directly on the stand.
We didn’t solder the couplings to the pipe, but you could solder one side, leaving the other loose so it can be dismantled. Or if you don’t need to it to be able to be taken apart, you can place your shelves and then solder both sides of the couplings to create a more rigid and sturdy pole. Because I had that original pole, I didn’t solder the pipe, but slid it straight through the copper pipe to make the entire stand sturdier, since it was a bit wobbly.
If you aren’t using pipe, but are instead using an extendable curtain rod, I would make it by cutting the thinner pipe the height that you want it to be (my stand is 54″ tall, by the way). Then, instead of using small couplings, cut the outer rod into “spacers” the height you want the shelves to be placed at. So, instead of having just a small coupling, the entire inner rod will be covered with the outer rod and you can assemble it by threading “stand, basket, spacer, basket, spacer…etc.” until you reach the top. Using a curtain rod will work perfectly too, because then you can use your finial to finish off the top!
After my stand was assembled, it was time to paint it!. I debated about polishing up the copper and have it metallic with black baskets, but then decided that I don’t really have copper as an accent in my home, so I painted it. (Of course after I decided that, I remembered that my fan is antiqued copper so I could have….)
I painted it black to give it a more industrial look to match the style of the punched metal. I started with satin finish paint, then realized that I should have gone with matte since the shine highlights all of the imperfections of the metal! Oh well; it is a salvage project, after all. I used Rust-Oleum 2x Ultra Cover Satin Canyon Black, (and noticed that I took the picture of the French side-haha) since I already had 1/2 a can on hand. I did three coats and I guess that I used about 1 1/2 or 1 3/4 cans of paint for the entire project. I still have almost an entire can of paint left over, so I can use that for a future project!
Once the paint cured, the organizer was done and ready to use! As I brought it inside, I realized just how heavy that umbrella stand is when you need to move it around. I am keeping my eye out for the base of an old metal rolling desk chair to swap out the stand for. That would make it so easier to move around when required!
I haven’t filled all of the compartments yet, but this is going to work perfectly for ribbons and laces and zippers and other sewing notions. They were previously in drawers, which made it hard to find anything. I usually like closed storage solutions, but for some things, open storage just works better. And sewing and crafts, is one of those things that works better when I can see things and find them easily.
This method worked so well to create this craft room organizer stand that I am considering whether I should make another with offset shelves using the curtain rod method in order to create a plant stand. (I have a lot of plants!) The curtain rod I have is already black metal and I could use wood for the shelves, so it wouldn’t require any painting. Maybe a good project for over the Winter?
Do you like to DIY furniture or other home projects? What’s the best “salvage” piece you’ve ever saved and transformed? And do you prefer open or closed storage solutions?