vintage style

The Costumes of Jane Eyre (2011): Film Fashion Inspiration

jane eyre wearing a hooded cloak

I am back today with a Part Two in this series of my favourite film fashion inspiration: this time with the costumes of Jane Eyre (2011)! You can find Part One about Miss Potter, here.

One of my favourite books of all time is Jane Eyre, by Charlotte Bronte. I first read it in Grade Nine, for a book study, and fell in love with the heroine of the book’s title, Jane Eyre. Jane Eyre was published in 1847, although the time period in which the story itself takes place is a bit unclear. Most film adaptations place the story either in the same decade the book was published, the 1840’s, or slightly farther back in the 1830’s. The only film version of Jane Eyre that I have watched is the 2011 one directed by Cary Fukunaga starring Mia Wasikowska and Michael Fassbender. The costume designer for this film was Michael O’Connor and I absolutely love what he designed for this film: the attention to detail in each character’s wardrobe means you never run out of interesting elements to look at.

The director and costume designer chose to go with an 1840’s time period for this film, because they liked the styles from that decade more than those of the 1830’s, and I am inclined to agree with them. I am not enamoured with the large sleeves and shorter hems of the 30’s, so I’m happy they gave Jane the much more elegant looks of the 40’s.

1833 and 1848 illustrated fashion plates

I am not an authority on early Victorian fashion by any means, but I appreciate the, seemingly, quite historically accurate costumes of this film. Some historical dramas try to modernize the characters’ dress, which can sometimes be jarring, as well as becoming easy to spot as time goes on. (For example, the animated Snow White and Cinderella by Disney are easily recognizable as being from the 1930’s and 1950’s respectively.) In this version of Jane Eyre, they chose to keep the garments and even hairstyles accurate to the time period the story was set in, even if some of those fashions are decidedly unpopular today. Why do historical films always skip the bonnets, right? While most of us won’t be sporting 1840’s dresses for daywear anytime soon, there is still so much inspiration to be found in the costumes of Jane Eyre.

Ps. This interview from Vanity Fair gives a bit more insight into the choices of the director and costume designer.

One key feature of Jane’s wardrobe is her subdued and dark colour palette. She wears several shades of grey, black, brown, deep plum, and dark blue. She also later wears an earthy tan/pink. While these dark colours are specifically used to create a moody feel for the film, I think they also reflect an aspect of Jane’s character: her practicality. Dark colours are a sensible choice for clothing, since they don’t require as much washing or stain removal in the same way light colours do.

Queen Victoria was married in 1840 and was the first to bring popularity to the idea of a white wedding dress: the light colour of the dress made her easier to see, and was a dress fit for royalty (or at least someone who had an army of laundresses at their disposal). While Victoria’s dress caused a stir in the fashion world (that remains to this day), for most people, dark coloured clothes were a much wiser choice. Even today, many work clothes and outerwear are made of darker coloured cloth. While grey and black might not be good colours for everyone, I still take inspiration from Jane’s costumes in choosing more practicable colours for items of clothing that aren’t easily laundered. For example, instead of choosing a cream coloured dry-clean-only, wool winter coat, perhaps navy would be a smarter choice.

jane eyre wearing the same dress 3 times

I also appreciate that Jane has a sort of “capsule” wardrobe; which is really what a standard wardrobe for any time period, before the modern era of fast fashion, would have been. She is consistently seen repeating the same small selection of dresses throughout the film. One nice thing about wearing dresses, is that they are such a quick and easy outfit. You don’t have to worry about finding a matching blouse or skirt, because a dress is a one step outfit, all ready to go!

Another very clever idea from the past that Jane utilizes in her outfits, is wearing separate collars and cuffs. Having one dress, but several separate collar and cuff sets to pair with that dress results in many different looks. While it might not be a dramatic change, it still adds variety to your wardrobe. Accessories really are the best tools for stretching your “capsule” wardrobe. And, on the topic of laundry again, cuffs and collars tend to get dirty before the rest of the garment, so this makes them easy to clean. Also, if the cuffs wear out, it’s easy to make new ones without having to make an entirely new dress!

Jane’s costumes are all very pared back versions of the 1840’s fashions. When you compare her black evening dress to Blanche Ingram’s, you can see how subdued Jane’s dress is. While her dresses are not as frilly and fancy as the wealthy women’s dresses, her clothing choices are still far from boring and there are so many subtle details in her clothes.

jane eyres plaid grey dresses

For example, the patterns in Jane’s dresses are classic prints such as plaids and dots which have been pieced to form interesting designs. In her plaid gowns, the diagonal piecing on the bodice is gorgeous. There are also lots of visually interesting bows, ruched sections and elegant V shaped bodices. There’s so much inspiration for future sewing projects!

I personally prefer Jane’s understated elegance over the frilly fashions of the early Victorian period. My favourite styles from the past are ones that are more classic than trendy- which it is still true for my wardrobe today.

jane eyre wearing a lace bonnet

I also like how Jane’s character and style stays consistent throughout. Even when she buys new dresses and bonnets and spends more on her clothing, she doesn’t slavishly follow the trends. Her more expensive clothing doesn’t clash with what we know of Jane from before.

jane eyre 1840's style wedding dress and bonnet

Her wedding dress is a good look at the consistency of her style. Despite Rochester’s wish to lavish her with jewels and rich fabrics, this dress is still rather restrained compared to wedding dresses of the time. Queen Victoria’s aforementioned wedding dress is much more opulent than Jane’s, and we can’t imagine Jane feeling comfortable in something like that. Even this wedding dress is a little too fine for Jane’s taste.

jane eyre light grey plaid dress

Throughout the film, Jane remains true to her personal style, and wears garments that are flattering to her particular body type and style, which is a great reminder for us all to choose to wear what we like and what we look good in, despite what the trends may be at the time.

Another iconic element of Jane’s look is her signature hairstyle. I’m not a big fan of hairstyles from the 1840’s: they were really into the centre part (which is apparently coming back in?).

While lots of upper class women wore their hair in ringlets (see Blanche Ingram again), Jane wears hers in an easier to keep style- a low bun with loops over her ears. She wears variations on this look- sometimes more elaborate like for her wedding, and sometimes simpler, like when she is living in the cottage. I like that Jane has a signature look, and one that she can easily maintain and execute herself. This is a lesson that I have learned over time: find a hairstyle that works for you! This is why I usually wear my hair in a chin length bob with bangs- it just works for me. I don’t have to fight with it, or set it every night (only to find that the curls fall out by midday) etc. While it’s sometimes fun to change it up, find your signature hairstyle and run with it!

jane eyre wearing a hooded cloak

One final element of Jane’s wardrobe that I absolutely love are her capes and shawls. While capes have been mostly replaced by coats nowadays, there is just something so elegant and dramatic about a cape, isn’t there? (Especially if it has a hood!) They are perfect to wear over dresses if you have a full skirt and your coat isn’t wide enough to accommodate it. Oh, and they are cosy too. A shawl is also the perfect thing to wear on a chilly day (even indoors); they are easy to put on and take off as needed, and are nicer to wear than trying to bundle up on the sofa in a blanket!

jane eyre wearing different shawls

Well, this isn’t an exhaustive list of all of the costumes of Jane Eyre, but these are some of my favourites from this film. Have you seen this version or Jane Eyre and what did you think of it? What parts of her wardrobe do you like? And which version of Jane Eyre is your favourite?

jane eyre wearing her evening dress

A World Where There are Octobers

woman spinning in front of a row of yellow trees

“I’m so glad I live in a world where there are Octobers.” L.M. Montgomery, Anne of Green Gables 

The leaves are going quickly. Only days ago this row of trees in our backyard were covered in bright golden colours and by today they are mostly gone. Bare branches are left in stark contrast to the pale azure autumn skies. The bright yellow leaves are slowly deepening in colour, and the days are cool and crisp. I love this time of year and, like Anne, I am glad I live in a place where I get to fully enjoy Octobers.

woman walking in front of a large row of trees

mountain ash tree berries and woman wearing a wrap skirt and navy blue t-shirt

I am also happy that my sister was able to get these photos for me when she did, since I think this is the last time I’ll be pulling out this linen wrap skirt for this year. It’s time to reach for the tights and woollens and scarves!

patchwork quilt purse

This is the patchwork purse I mentioned that I was making. It took quite a while to finish, since I decided to hand stitch it to give more control over some of the very tiny pieces of fabric. I’m not a skilled quilter, and since I didn’t follow any pattern (each piece was fitted in place as I sewed) it ended up quite quirky! I think it gives it a rather authentic 1970’s feel though, don’t you?

After I finished the quilt, I then appliquéd it onto a canvas backing and then lined the entire thing to give it some strength, especially since the last one I made came apart. I was able to use so many unique pieces of fabric that I’ve saved over the years- you can even see in the picture above that I used a piece of the fabric from this skirt! Well, at least I know that this bag will coordinate with almost everything in my wardrobe…

woman spinning in front of autumn leaves

woman standing in front of golden trees looking into the distance

woman twirling in front of autumn trees

detail of a gold heart necklace

Friendship necklaces used to be such a “thing” when I was a kid, but they kind of went out of favour, didn’t they? A few years ago I found this friendship necklace; the heart cut out of the centre of this piece forms the other necklace! I like that it’s so delicate and minimal.

woman wearing a wrap skirt and carrying a patchwork bag

mountain ash berries

patchwork quilted purse

cognac coloured ballet flats

Why is it so hard to find brown shoes? Have you ever noticed that? Since deciding that brown is my “neutral” I have had the hardest time finding nice shoes that aren’t black. I was so glad to be able to find these from Vionic. I think it’s about time to put them away for the season, though. They are perforated, which is lovely for warm days, but a bit chilly for autumn!

I hope you are faring well and enjoying your October, whatever it’s looking like for you!

mountain ash tree

poplar branch in golden sunset light

Fashion Library: Favourite Editorial Books for Inspiration

stack of fashion books

I’ve mentioned before that I dedicate a lot of space on my bookshelves to fashion books. As nice as the internet and Pinterest can be for inspiration and information, there is still something great about pulling out a book and paging through beautiful fashion spreads.

I have several fashion books in my personal library that are editorial in style, and I love to look through them and see some of the best moments of modern fashion history (mostly from the 20th century). These are some of my favourite books that really helped to define my interest in fashion. If you are looking to add some books to your own library, or just want to page through some amazing fashion spreads, then these are my favourites!

Vogue: The Covers book

“Vogue: The Covers”

by Dodie Kazanjian and published by Abrams Books

This lovely book is what sparked the idea for the #MyVintageCover challenge here on the blog, and on Instagram. This book is divided by decade, and each section begins with a brief written introduction to that era. Then, as suggested by the name of the book, the rest of the pages are is filled with images of Vogue covers. Each cover is labeled with the date and name of either the illustrator or photographer. Some of the covers also have the model’s name included.

Vogue: The Covers page

My one frustration with the book is that the covers are not arranged chronologically, which is a missed opportunity, in my opinion, to show the progression of fashion throughout the years. However, I do still love this book for inspiration for my own cover reproductions and to see what couture fashion was popular in each era.

Grace book cover

“Grace: 30 Years of Fashion at Vogue”

by Grace Coddington and published by Phaidon Press

This is an absolutely stunning coffee table book. I would never have bought a book like this ($$$) but I actually won it in a contest on Instagram several years ago. I never win contests, so even if I never win another thing ever again in my life, this was a worthwhile prize!  If you can find a copy of this one, it is absolutely gorgeous and I love looking through it whenever I want a little bit of fantastical editorial fashion inspiration.

Grace book pages

Grace Coddington was the artistic director at Vogue magazine, and this is a compilation of some of her work over the years. She has stories sprinkled throughout the book, sharing details of the shoots and where her inspiration came from, as well as full-page photo spreads. It’s a beautiful look into the world of fashion photography and the large size of the book makes the images all the more beautiful.

Grace Coddington book pages

There is such a depth and richness in film photography, which makes up the majority of the book, and the creativity of the print medium gives me such a feeling of nostalgia whenever I page through this book. Sadly, many modern fashion spreads seem to have lost that beauty and creativity, so this is a lovely look through history.

A Matter of Fashion book cover

“A Matter of Fashion: 20 Iconic Items that Changed the History of Style”

edited by Valeria Manferto De Fabianis and published by White Star Publishers

Gifted to me by a friend, this book highlights 20 iconic fashion moments and how they impacted the fashion world. Some of the items seem rather underwhelming to me, but I do agree that jeans, the trench coat, the Kelly bag and the stiletto are definitely pieces that changed the trajectory of modern fashion. And what do I know? Perhaps the rest of the items I’d never heard of really did radically change the evolution of fashion, like “the cerulean sweater” of The Devil Wears Prada.

A Matter of Fashion book pages

This book goes through the history and details of each item, and then features a lot of fashion photography and illustrations that are always enjoyable to look at.

Vogue book covers

“Vogue: The Shoe” by Harriet Quick & “Vogue: The Jewellery” by Carol Woolton

Published by Conran Octopus

Vogue The Shoe pages

So many of these books are about Vogue, but really it’s such an iconic magazine! These two large coffee table books are part of the Vogue Portfolio Series and are a deep dive into one specific item of fashion: the shoe and jewellery. Featuring images from across the decades, these books highlight a wide variety of styles- from practical to fanciful- and then include information about the designers and other interesting details.

Vogue the Jewellery pages

Again, I never tire of looking at beautiful fashion photography from any era. There is another other book in this series, Vogue: The Gown. I saw it for sale secondhand and I didn’t buy it, which I kind of regret, but maybe someday I will come across it again!

Vintage Fashion book cover

“Vintage Fashion: Collecting and Wearing Designer Classics”

published by Carlton Books

I took the dust jacket off of this one, because it was ripped, but I kept the cover image so I just sat it on top for the photo. This book is kind of an overview, or beginners guide, to vintage fashion. It’s got some great vintage fashion photography and interesting information about the designers and iconic styles of each era.

Vintage Fashion page

For example, it explains many different movements, from Dior’s New Look silhouettes of the 1950’s to the Youthquake of the 60’s. It also highlights design movements, such as Modernism, Orientalism, and Punk. For each section there is also a page of “Key Looks of the Decade”, which is helpful to get a good overview of a decade.

Vintage Fashion decade overview page

So those are the six books that I currently have that fall into this category of “editorial style” fashion, and thus concludes this mini series of posts about fashion books. I love fashion books, so I am sure I will add more to my collection as I find them. And, I will share them here too, because it is quite nice to see reviews before you buy!

What are some of your favourite fashion books? Have you paged through any of these titles? Do you have any other good recommendations to check out? 

book stack

Straw Hats and Sunny Days

We’ve had our fair share of sun and heat this summer, which is too bad for me, since I’m not a fan of hot days! However, I’ve actually been spending a decent amount of time outside this summer despite the drought…which is kind of strange since I usually spend my summers indoors hiding from the sun.

I bought this giant straw hat back in May, though, and it is perfect for hot summer days. Since it has such a wide brim and a tall crown, it creates a nice bit of shade from the sun. If there isn’t any shade, bring your own! There is also a hat band inside, and I added a tie for slightly breezy days. There’s nothing worse than wearing a large brimmed hat and having it fly off your head with a gust of wind…not that that has ever happened before. Originally the hat also had a cream grosgrain ribbon hatband, but not a very nice one, so I replaced it with a silk scarf which is much prettier in my opinion.

woman wearing a straw hat with a scarf bow

I originally planned to get photos of this hat and outfit back in June, but then we had a huge heat wave…then smoke from the wildfires in BC…then more heat again…and here we are now already in August. (With another heat wave, but just tiny one this time…maybe a heat splash).

woman wearing a cream tshirt, polka dot skirt and straw hat

I’ve been wearing an iteration of this outfit, switching out with different tops or accessories quite a lot this summer too. It’s a very easy formula: wrap skirt + t-shirt + accessories. When you’ve got a variety of tops and skirts (or pants) in coordinating colours that can be mixed and matched, then it makes choosing what to wear very easy.

woman wearing a polka dot skirt, cream shirt, straw hat and mother of pearl necklace

woman wearing a straw hat with a silk bow on it

I’ve also realized over the past couple of years that I really like wearing t-shirts for everyday wear. They might not be as fancy and “vintage” but I find them to be the most comfortable for working etc. on an everyday basis. I do still like to wear dresses and blouses, but I now tend to save them for occasions.

tshirt cuff with lace detail

And it’s not as though t-shirts need to be sporty- this one with lace cuffs is a nice example of a dressier version and I also recently got a navy blue one with a v-neck. The neckline can make a huge difference in how a top looks, and how dressy it is, don’t you think?

woman wearing a large straw hat

Well, there is my summer “uniform” in a nutshell. I used to hate the idea of a capsule wardrobe, but I’ve kind of accidentally fallen into creating one for myself. And strangely enough, rather than feeling limited, I actually feel like I have more variety in what I wear through the different combinations.

Do you find yourself gravitating towards a certain “uniform”, whether with colours or styles, or do you have a seasonal capsule wardrobe? What have you been enjoying wearing this summer?

Oufit details: 

Hat from Love and Lore Indigo

Necklace pendant from Grandmother’s Buttons

T-shirt and sandals, secondhand

Skirt, homesewn

woman wearing a wrap skirt large straw hat

How to Refashion a Hat

a woman wearing a white and black leopard printed sweater and a black wool fascinator hat with a flower

Today’s post is a revamped edition of one I wrote several years ago as a guest post for Jessica of Chronically Vintage about how to refashion a hat. I came across it again recently and decided that I wanted to revisit it with some new photos and give it a home here too. And, since Easter is this weekend, it’s the perfect time to share these techniques and inspiration in case you have a hat that you’d like to refashion! 

I don’t actually own very many true vintage garments, and many of my “vintage” garments are actually ones that I have sewn myself or altered from thrift store finds. I mostly rely on making or refashioning clothing to give it a vintage vibe (whether that means adding embellishments, changing buttons, hemming to a better length or altering the fit) and then adding in accessories for the final touch to get that vintage look.

The sad, but true, reality of vintage is that there is a finite amount of it left in the world, and as time goes on it just gets more and more scarce and, thus, unaffordable for the average person. This definitely doesn’t mean that those who can’t afford or find true vintage have to miss out on this fashion style, though! Just as with any other trend or style, as in centuries past, women have made for themselves what they couldn’t afford to buy or couldn’t find in the shops, and I live by this principle today too. Thrift stores are great places to rescue cast off pieces of clothing or accessories and then refashion and embellish them so they’ll fit your own style. 

Hats are great accessories for really pulling an outfit together, but sometimes it can be hard to find good hats that are not in disrepair (shattered veils, stains, moth holes…) and putting together a hat collection, when a hat that is in good shape costs a lot, is just not feasible for many of us hat lovers. This is why I have turned to making and refashioning hats: so I can get that unique vintage look, without spending a lot. If you pick up mildly damaged or ugly/boring hats that have potential, and are willing to use your creativity to alter them, you can easily build a hat collection for a fraction of the cost. This also gives you a chance to try out different styles of hats and see whether you like them before investing in the “holy grail of all hats” (whatever that might be for you). When I first started getting into wearing hats, I invested in some beautiful vintage ones that I didn’t end up liking on me. For example, over time I’ve discovered that I like my hats to have a higher crown like 1960’s style pillbox hats, rather than the flatter Juliet cap style of the 1950’s. I learned this the hard way, after I had already bought several beautiful vintage hats, and I ended up having to sell them because I just never wore them…at least they went to new loving homes! Now that I have an idea of what kinds of hats I like to wear, though, when I see one for sale at antique malls or second hand shops, I have a good idea of whether it will make a good candidate for refashioning.

My checklist for hats that I would be willing to take a chance on or pass by would be:

  • A hat that is not smashed out of shape, unless you think it can be steamed back into shape. If the hat is very crushed, it’s not going to turn out well. If you decide to try and reshape it, you’ll need some kind of hat form to do so, depending on the style of the hat.
  • One that doesn’t have large stains on it, unless there is some way to cover them up with new embellishments without it looking odd. While I don’t mind some “character”, I don’t want it to look dirty.
  • If the veil is torn, which is very common, see if it could be removed entirely. Most hats will look totally fine without a veil. Also, you can still buy Russian netting at many fabric stores, so you may be able to simply replace the damaged veil with a new one.
  • If the hat is lacking in embellishments, or the current ones are ruined, you can definitely make new ones (one example I am going to share today).

an ugly hat

I picked up this little black felt hat for a song, from an antique store, along with a couple other hats that really needed some help. I remember seeing this hat several years ago in West Edmonton Mall (I recognized the label) so I know that this hat is not actually vintage. When I saw it new, I thought the embellishment on it was so boring that I passed on it. It seemed like they had a good thing going with the veil and the leaves. . . and then ran out of ideas, so they just plunked a little brooch on top. However, when I saw it for sale second hand, in good condition and at a much better price point than it was new, I picked it up thinking, like Lydia from Pride and Prejudice, “Look here, I have bought this bonnet. I do not think it is very pretty; but I thought I might as well buy it as not. I shall pull it to pieces as soon as I get home, and see if I can make it up any better.”

philip treacy's 2015 collection mint green hat with a chiffon pompom on top

Soon after buying this hat, I came across this image from Philip Treacy’s Autumn/Winter 2015 collection, and absolutely fell in love with it. In case you are wondering who Philip Treacy is, he is a UK milliner who counts the Royal Family among his clients. I absolutely love this hat: it is so outrageous and over the top, and really what’s not to love about mint? As soon as I saw it, I started thinking about how I could make something similar, and I decided that a large flower on this hat base would be just the thing.

Here is how I created the flower, and how I styled the finished hat for an updated 1940’s look.

I made my flower out of chiffon, since we had a bunch left over from a past project. You could use stiffer organza too- which would give you the rounder pompom shape that Treacy’s has, or tulle or netting, which would be softer. I cut out a ton of circles, 5 inches in diameter. You will need 30-50 circles depending on the material and stiffness, and how full you want the flower to be. Don’t worry about being too precise, as the edges will be melted and the pieces will be gathered for the final flower. And definitely do cut your circles through several layers at once, to save yourself time!

singeing the edges of chiffon circles to finish them

I didn’t want the fabric to fray to pieces, so I singed the edges to finish them. Singe the fabric by CAREFULLY holding the material over a candle until the edges start to melt and curl. Be very careful with this, since you are holding a meltable material over top a flame!

You will need to hold the fabric about 6 inches away from the flame and slowly dip in and out and across so the heat starts to curl it. You don’t need to bring the fabric very close, otherwise the heat will start melting the entire circle, rather than just the edge. (Voice of experience. . . ) You should probably do this in a well ventilated area too, by the way. 

folding chiffon circles to make a flower

Once you have singed the fabric, you will be left with curled lily pad shaped petals. Take a circle and fold it into quarters. Stitch through the corner of the folded piece, catching all 4 layers, and loop to tie a knot so it won’t pull through the fabric. 

Continue to string together the folded circles using the same method, until the flower is at your desired fullness.

stringing chiffon petals to make a flower

Once you get a fuller shape, you can gather some of the centre petals so they are fuller, as the soft fabric likes to “flop”. If your fabric is stiffer, you can continue stringing until you get a pompom shape. For mine, with the softer chiffon, I gathered the entire flower together in my hand and stitched through the entire bottom of the flower to give it some shape. Just play around with the fabric and arrange it into a nice shape- there isn’t a hard and fast method.

gathering the chiffon circles into a petal shape

If your flower is softer and going to lay open, you can sew a button, a bead or other embellishment in the centre of the flower to cover up the stitching. If your fabric is stiff, you can just keep adding to it and you will get a lovely round shape and won’t need a button at all.
Sew a little round felt disk to the bottom, to keep the flower in shape. If possible, do not glue the flower onto your hat, since the glue may seep through the light fabric. 
sewing the flower onto the hat

Sew the flower onto the hat with cotton, or other natural fibre, thread. If possible, don’t use a polyester blend thread, as over time polyester can cut natural fibres, and you will be left with holes. You could also add a brooch pin to the felt disk, instead of sewing it directly to the hat, so it is removable, in case you want to use the same hat base for multiple embellishments. And then you’re done!

woman wearing a black felt hat with a large flower on it

I don’t have a before picture of this hat on my head, because it was severely unflattering, but here is the after! A giant flower is really what this hat was missing. Mine turned out a lot smaller than I was originally planning for and less pouffy because of the fabric I chose, but I think it works well for the style of the hat. By simply adding some embellishment, this hat is now completely transformed! 

Here are some other ideas for how to refashion a hat with a different look, which might work for you if a giant pompom/flower isn’t really your thing. 

Vogue patterns

From Chapeaux Élégants, 1942

  • Bows. I’ve seen this kind of hat with a giant stiffened bow, upside down bows, bows made out of contrasting fabric or coordinating, ribbon bows, right side up bows or a myriad of smaller bows…the sky really is the limit when it comes to bows. I’d really like to make a giant sculptural bow one of these days! 

  • Loops and twists made out of wool, or sculptural ribbons. This is a really simple, yet architectural embellishment. I’ve also seen where the wool is looped back onto itself in all sorts of different shapes. This is a much simpler hat decoration, but one with a lot of impact. If you can find a similar colour of fabric, or a contrasting colour, this is a very easy embellishment to create.

Sears Catalogue 1947/48

  • Feathers. You can use smaller feathers, or even large curled ones. I have a pheasant feather that I want to steam into a curled shape and attach to a hat, but I haven’t got a hat yet to put it on!

  • A cluster of artificial flowers. You could either group purchased flowers, or make your own ribbon or fabric flowers. I’ve seen so many different types of flowers on hats, it all depends on what you plan to wear the hat with.

If you’re looking for some hat inspiration, here are my favourite places to look:

  • Online vintage shops. This is a great place to look for true vintage inspiration.
  • Pictures of the Royal Family, the Duchess of Cambridge in particular, who are often seen sporting beautiful hats.
  • Allport Millinery is an Australian milliner with such amazing hats- her website is just full of gorgeous pieces.
  • A new-to-me designer, Rachel Trevor-Morgan Millinery, who I stumbled across while browsing on Pinterest.
  • Of course, we can’t forget Philip Treacy, where I got my original inspiration from.
  • And if you’d like to see more “hatspiration”, I’ve created a Pinterest board of the lovely hats I come across while browsing!

woman wearing a black wool skirt, leopard print sweater and a black hat with a veil and flower on the top

I love how this hat turned out; I’ve styled it in many ways over the past few years. This outfit I paired it with is one that definitely has a Classic vibe to it, rather than overtly vintage, but I’ve worn the same hat here and here before. It’s quite a versatile accessory! 

I hope this has inspired you to look at the garments and accessories you have, with an eye towards how to make them work for you. Maybe it will inspire you to pick up that ugly hat or other item you would usually pass up in the thrift store, and refashion it to become your new favourite piece. Maybe all it needs, like this hat, is a new embellishment!

woman twirling outside

woman walking away outside wearing a skirt, sweater and hat