I’ve mentioned before that I dedicate a lot of space on my bookshelves to fashion books. As nice as the internet and Pinterest can be for inspiration and information, there is still something great about pulling out a book and paging through beautiful fashion spreads.
I have several fashion books in my personal library that are editorial in style, and I love to look through them and see some of the best moments of modern fashion history (mostly from the 20th century). These are some of my favourite books that really helped to define my interest in fashion. If you are looking to add some books to your own library, or just want to page through some amazing fashion spreads, then these are my favourites!
“Vogue: The Covers”
by Dodie Kazanjian and published by Abrams Books
This lovely book is what sparked the idea for the #MyVintageCover challenge here on the blog, and on Instagram. This book is divided by decade, and each section begins with a brief written introduction to that era. Then, as suggested by the name of the book, the rest of the pages are is filled with images of Vogue covers. Each cover is labeled with the date and name of either the illustrator or photographer. Some of the covers also have the model’s name included.
My one frustration with the book is that the covers are not arranged chronologically, which is a missed opportunity, in my opinion, to show the progression of fashion throughout the years. However, I do still love this book for inspiration for my own cover reproductions and to see what couture fashion was popular in each era.
“Grace: 30 Years of Fashion at Vogue”
by Grace Coddington and published by Phaidon Press
This is an absolutely stunning coffee table book. I would never have bought a book like this ($$$) but I actually won it in a contest on Instagram several years ago. I never win contests, so even if I never win another thing ever again in my life, this was a worthwhile prize! If you can find a copy of this one, it is absolutely gorgeous and I love looking through it whenever I want a little bit of fantastical editorial fashion inspiration.
Grace Coddington was the artistic director at Vogue magazine, and this is a compilation of some of her work over the years. She has stories sprinkled throughout the book, sharing details of the shoots and where her inspiration came from, as well as full-page photo spreads. It’s a beautiful look into the world of fashion photography and the large size of the book makes the images all the more beautiful.
There is such a depth and richness in film photography, which makes up the majority of the book, and the creativity of the print medium gives me such a feeling of nostalgia whenever I page through this book. Sadly, many modern fashion spreads seem to have lost that beauty and creativity, so this is a lovely look through history.
“A Matter of Fashion: 20 Iconic Items that Changed the History of Style”
edited by Valeria Manferto De Fabianis and published by White Star Publishers
Gifted to me by a friend, this book highlights 20 iconic fashion moments and how they impacted the fashion world. Some of the items seem rather underwhelming to me, but I do agree that jeans, the trench coat, the Kelly bag and the stiletto are definitely pieces that changed the trajectory of modern fashion. And what do I know? Perhaps the rest of the items I’d never heard of really did radically change the evolution of fashion, like “the cerulean sweater” of The Devil Wears Prada.
This book goes through the history and details of each item, and then features a lot of fashion photography and illustrations that are always enjoyable to look at.
“Vogue: The Shoe” by Harriet Quick & “Vogue: The Jewellery”by Carol Woolton
Published by Conran Octopus
So many of these books are about Vogue, but really it’s such an iconic magazine! These two large coffee table books are part of the Vogue Portfolio Series and are a deep dive into one specific item of fashion: the shoe and jewellery. Featuring images from across the decades, these books highlight a wide variety of styles- from practical to fanciful- and then include information about the designers and other interesting details.
Again, I never tire of looking at beautiful fashion photography from any era. There is another other book in this series, Vogue: The Gown. I saw it for sale secondhand and I didn’t buy it, which I kind of regret, but maybe someday I will come across it again!
“Vintage Fashion: Collecting and Wearing Designer Classics”
published by Carlton Books
I took the dust jacket off of this one, because it was ripped, but I kept the cover image so I just sat it on top for the photo. This book is kind of an overview, or beginners guide, to vintage fashion. It’s got some great vintage fashion photography and interesting information about the designers and iconic styles of each era.
For example, it explains many different movements, from Dior’s New Look silhouettes of the 1950’s to the Youthquake of the 60’s. It also highlights design movements, such as Modernism, Orientalism, and Punk. For each section there is also a page of “Key Looks of the Decade”, which is helpful to get a good overview of a decade.
So those are the six books that I currently have that fall into this category of “editorial style” fashion, and thus concludes this mini series of posts about fashion books. I love fashion books, so I am sure I will add more to my collection as I find them. And, I will share them here too, because it is quite nice to see reviews before you buy!
What are some of your favourite fashion books? Have you paged through any of these titles? Do you have any other good recommendations to check out?
We’ve had our fair share of sun and heat this summer, which is too bad for me, since I’m not a fan of hot days! However, I’ve actually been spending a decent amount of time outside this summer despite the drought…which is kind of strange since I usually spend my summers indoors hiding from the sun.
I bought this giant straw hat back in May, though, and it is perfect for hot summer days. Since it has such a wide brim and a tall crown, it creates a nice bit of shade from the sun. If there isn’t any shade, bring your own! There is also a hat band inside, and I added a tie for slightly breezy days. There’s nothing worse than wearing a large brimmed hat and having it fly off your head with a gust of wind…not that that has ever happened before. Originally the hat also had a cream grosgrain ribbon hatband, but not a very nice one, so I replaced it with a silk scarf which is much prettier in my opinion.
I originally planned to get photos of this hat and outfit back in June, but then we had a huge heat wave…then smoke from the wildfires in BC…then more heat again…and here we are now already in August. (With another heat wave, but just tiny one this time…maybe a heat splash).
I’ve been wearing an iteration of this outfit, switching out with different tops or accessories quite a lot this summer too. It’s a very easy formula: wrap skirt + t-shirt + accessories. When you’ve got a variety of tops and skirts (or pants) in coordinating colours that can be mixed and matched, then it makes choosing what to wear very easy.
I’ve also realized over the past couple of years that I really like wearing t-shirts for everyday wear. They might not be as fancy and “vintage” but I find them to be the most comfortable for working etc. on an everyday basis. I do still like to wear dresses and blouses, but I now tend to save them for occasions.
And it’s not as though t-shirts need to be sporty- this one with lace cuffs is a nice example of a dressier version and I also recently got a navy blue one with a v-neck. The neckline can make a huge difference in how a top looks, and how dressy it is, don’t you think?
Well, there is my summer “uniform” in a nutshell. I used to hate the idea of a capsule wardrobe, but I’ve kind of accidentally fallen into creating one for myself. And strangely enough, rather than feeling limited, I actually feel like I have more variety in what I wear through the different combinations.
Do you find yourself gravitating towards a certain “uniform”, whether with colours or styles, or do you have a seasonal capsule wardrobe? What have you been enjoying wearing this summer?
Today’s post is a revamped edition of one I wrote several years ago as a guest post for Jessica of Chronically Vintage about how to refashion a hat. I came across it again recently and decided that I wanted to revisit it with some new photos and give it a home here too. And, since Easter is this weekend, it’s the perfect time to share these techniques and inspiration in case you have a hat that you’d like to refashion!
I don’t actually own very many true vintage garments, and many of my “vintage” garments are actually ones that I have sewn myself or altered from thrift store finds. I mostly rely on making or refashioning clothing to give it a vintage vibe (whether that means adding embellishments, changing buttons, hemming to a better length or altering the fit) and then adding in accessories for the final touch to get that vintage look.
The sad, but true, reality of vintage is that there is a finite amount of it left in the world, and as time goes on it just gets more and more scarce and, thus, unaffordable for the average person. This definitely doesn’t mean that those who can’t afford or find true vintage have to miss out on this fashion style, though! Just as with any other trend or style, as in centuries past, women have made for themselves what they couldn’t afford to buy or couldn’t find in the shops, and I live by this principle today too. Thrift stores are great places to rescue cast off pieces of clothing or accessories and then refashion and embellish them so they’ll fit your own style.
Hats are great accessories for really pulling an outfit together, but sometimes it can be hard to find good hats that are not in disrepair (shattered veils, stains, moth holes…) and putting together a hat collection, when a hat that is in good shape costs a lot, is just not feasible for many of us hat lovers. This is why I have turned to making and refashioning hats: so I can get that unique vintage look, without spending a lot. If you pick up mildly damaged or ugly/boring hats that have potential, and are willing to use your creativity to alter them, you can easily build a hat collection for a fraction of the cost. This also gives you a chance to try out different styles of hats and see whether you like them before investing in the “holy grail of all hats” (whatever that might be for you). When I first started getting into wearing hats, I invested in some beautiful vintage ones that I didn’t end up liking on me. For example, over time I’ve discovered that I like my hats to have a higher crown like 1960’s style pillbox hats, rather than the flatter Juliet cap style of the 1950’s. I learned this the hard way, after I had already bought several beautiful vintage hats, and I ended up having to sell them because I just never wore them…at least they went to new loving homes! Now that I have an idea of what kinds of hats I like to wear, though, when I see one for sale at antique malls or second hand shops, I have a good idea of whether it will make a good candidate for refashioning.
My checklist for hats that I would be willing to take a chance on or pass by would be:
A hat that is not smashed out of shape, unless you think it can be steamed back into shape. If the hat is very crushed, it’s not going to turn out well. If you decide to try and reshape it, you’ll need some kind of hat form to do so, depending on the style of the hat.
One that doesn’t have large stains on it, unless there is some way to cover them up with new embellishments without it looking odd. While I don’t mind some “character”, I don’t want it to look dirty.
If the veil is torn, which is very common, see if it could be removed entirely. Most hats will look totally fine without a veil. Also, you can still buy Russian netting at many fabric stores, so you may be able to simply replace the damaged veil with a new one.
If the hat is lacking in embellishments, or the current ones are ruined, you can definitely make new ones (one example I am going to share today).
I picked up this little black felt hat for a song, from an antique store, along with a couple other hats that really needed some help. I remember seeing this hat several years ago in West Edmonton Mall (I recognized the label) so I know that this hat is not actually vintage. When I saw it new, I thought the embellishment on it was so boring that I passed on it. It seemed like they had a good thing going with the veil and the leaves. . . and then ran out of ideas, so they just plunked a little brooch on top. However, when I saw it for sale second hand, in good condition and at a much better price point than it was new, I picked it up thinking, like Lydia from Pride and Prejudice, “Look here, I have bought this bonnet. I do not think it is very pretty; but I thought I might as well buy it as not. I shall pull it to pieces as soon as I get home, and see if I can make it up any better.”
Soon after buying this hat, I came across this image from Philip Treacy’s Autumn/Winter 2015 collection, and absolutely fell in love with it. In case you are wondering who Philip Treacy is, he is a UK milliner who counts the Royal Family among his clients. I absolutely love this hat: it is so outrageous and over the top, and really what’s not to love about mint? As soon as I saw it, I started thinking about how I could make something similar, and I decided that a large flower on this hat base would be just the thing.
Here is how I created the flower, and how I styled the finished hat for an updated 1940’s look.
I made my flower out of chiffon, since we had a bunch left over from a past project. You could use stiffer organza too- which would give you the rounder pompom shape that Treacy’s has, or tulle or netting, which would be softer. I cut out a ton of circles, 5 inches in diameter. You will need 30-50 circles depending on the material and stiffness, and how full you want the flower to be. Don’t worry about being too precise, as the edges will be melted and the pieces will be gathered for the final flower. And definitely do cut your circles through several layers at once, to save yourself time!
I didn’t want the fabric to fray to pieces, so I singed the edges to finish them. Singe the fabric by CAREFULLY holding the material over a candle until the edges start to melt and curl. Be very careful with this, since you are holding a meltable material over top a flame!
You will need to hold the fabric about 6 inches away from the flame and slowly dip in and out and across so the heat starts to curl it. You don’t need to bring the fabric very close, otherwise the heat will start melting the entire circle, rather than just the edge. (Voice of experience. . . ) You should probably do this in a well ventilated area too, by the way.
Once you have singed the fabric, you will be left with curled lily pad shaped petals. Take a circle and fold it into quarters. Stitch through the corner of the folded piece, catching all 4 layers, and loop to tie a knot so it won’t pull through the fabric.
Continue to string together the folded circles using the same method, until the flower is at your desired fullness.
Once you get a fuller shape, you can gather some of the centre petals so they are fuller, as the soft fabric likes to “flop”. If your fabric is stiffer, you can continue stringing until you get a pompom shape. For mine, with the softer chiffon, I gathered the entire flower together in my hand and stitched through the entire bottom of the flower to give it some shape. Just play around with the fabric and arrange it into a nice shape- there isn’t a hard and fast method.
If your flower is softer and going to lay open, you can sew a button, a bead or other embellishment in the centre of the flower to cover up the stitching. If your fabric is stiff, you can just keep adding to it and you will get a lovely round shape and won’t need a button at all.
Sew a little round felt disk to the bottom, to keep the flower in shape. If possible, do not glue the flower onto your hat, since the glue may seep through the light fabric.
Sew the flower onto the hat with cotton, or other natural fibre, thread. If possible, don’t use a polyester blend thread, as over time polyester can cut natural fibres, and you will be left with holes. You could also add a brooch pin to the felt disk, instead of sewing it directly to the hat, so it is removable, in case you want to use the same hat base for multiple embellishments. And then you’re done!
I don’t have a before picture of this hat on my head, because it was severely unflattering, but here is the after! A giant flower is really what this hat was missing. Mine turned out a lot smaller than I was originally planning for and less pouffy because of the fabric I chose, but I think it works well for the style of the hat. By simply adding some embellishment, this hat is now completely transformed!
Here are some other ideas for how to refashion a hat with a different look, which might work for you if a giant pompom/flower isn’t really your thing.
From Chapeaux Élégants, 1942
Bows. I’ve seen this kind of hat with a giant stiffened bow, upside down bows, bows made out of contrasting fabric or coordinating, ribbon bows, right side up bows or a myriad of smaller bows…the sky really is the limit when it comes to bows. I’d really like to make a giant sculptural bow one of these days!
Loops and twists made out of wool, or sculptural ribbons. This is a really simple, yet architectural embellishment. I’ve also seen where the wool is looped back onto itself in all sorts of different shapes. This is a much simpler hat decoration, but one with a lot of impact. If you can find a similar colour of fabric, or a contrasting colour, this is a very easy embellishment to create.
Sears Catalogue 1947/48
Feathers. You can use smaller feathers, or even large curled ones. I have a pheasant feather that I want to steam into a curled shape and attach to a hat, but I haven’t got a hat yet to put it on!
A cluster of artificial flowers. You could either group purchased flowers, or make your own ribbon or fabric flowers. I’ve seen so many different types of flowers on hats, it all depends on what you plan to wear the hat with.
If you’re looking for some hat inspiration, here are my favourite places to look:
Online vintage shops. This is a great place to look for true vintage inspiration.
Pictures of the Royal Family, the Duchess of Cambridge in particular, who are often seen sporting beautiful hats.
Allport Millinery is an Australian milliner with such amazing hats- her website is just full of gorgeous pieces.
Of course, we can’t forget Philip Treacy, where I got my original inspiration from.
And if you’d like to see more “hatspiration”, I’ve created a Pinterest board of the lovely hats I come across while browsing!
I love how this hat turned out; I’ve styled it in many ways over the past few years. This outfit I paired it with is one that definitely has a Classic vibe to it, rather than overtly vintage, but I’ve worn the same hat here and here before. It’s quite a versatile accessory!
I hope this has inspired you to look at the garments and accessories you have, with an eye towards how to make them work for you. Maybe it will inspire you to pick up that ugly hat or other item you would usually pass up in the thrift store, and refashion it to become your new favourite piece. Maybe all it needs, like this hat, is a new embellishment!
Dare I suggest that the Long Winter is nearing it’s end? With the warming of temperatures in the past week, it feels like it! Of course, we’ve still got a ways to go before Spring, and while that cold snap wasn’t really that long, it sure felt like it! We’ve gone from -38C to + 8C within a couple of weeks, and it has been so incredibly lovely to be able to go for a walk and open the windows for some fresh air and be able to leave the house to take some outfit photos without having to bundle up like a marshmallow. Even though I know that the temperatures will drop again before Spring, it is still worth it to have this small respite!
So, in other news, I’ve been searching for a new “everyday” purse for quite a while. I have been looking for a new one since my other purse started wearing out. (The leather strap was beginning to crack, the metal buckle had broken, and there was a hole forming in the top fold…) I bought that purse five years ago in England and carried it almost every day, though, so that wasn’t too bad, considering that it wasn’t full grain leather.
In looking for a new purse, I didn’t have a definite idea of what I wanted, but I did have a list of requirements.
I’ve realized over the years that, while I do love a good statement bag to coordinate with an outfit, most days I walk or ride my bicycle and a large handbag is just not practical to carry for long distances. I also like having my hands free for when I am running errands or going shopping, so I wanted a crossbody bag.
I also didn’t want the purse to be too big, because while I do want to be able to put everything in my purse, I didn’t want it to become to heavy to carry, or too big to fit in my bike basket. However, I didn’t want it too small, otherwise I would end up carrying a purse and a tote bag.
It also had to be brown or cognac leather and I wanted something in a vintage satchel style, but not too bookish. I wanted something timeless and classic, but not too vintage either, considering what I talked about in my recent personal style post.
I searched for quite a long time, and while I came across a lot of purses, none of them quite ticked all of the boxes until I found this one on Etsy, made by Sunray Family Workshop from Ukraine. It was a bit more than I had originally planned on spending, but I used the money I earned on Poshmark so, as my mom said, it was like I traded a bunch of clothes and accessories that I didn’t want for something that I did! I was also able to get it on sale, so that was nice too.
I was nervous about purchasing online, because I’ve been disappointed in the past with online purchases, but my fears were unfounded, as the bag was even better than I hoped it would be. I asked the seller to make it in a darker colour of leather for me, and I love the shape and style of it. It’s so nice to be able to purchase a piece directly from the person who makes it, and it really is a piece of craftsmanship. I think that this purse was a good investment, and is definitely going to be a good addition to my wardrobe since it fits in with my style description, “unconventional classic with a dash of history” pretty well.
I recently read somewhere (and I can’t for the life of me remember where) that we should stop saying that we are “investing” in clothing purchases, because the value of clothing depreciates immediately after purchasing. You only have to scroll through Facebook Marketplace, or Poshmark or ThredUp to see how much clothing has devalued once it has been worn. Even designer pieces aren’t worth as much as when they are new. Until an item has survived long enough to become “vintage”, it really can’t be called an investment.
However, I do think that even if we aren’t “investing” in clothing in a monetary way, there is another definition for “invest” that can apply to our wardrobes:
“Devote (one’s time, effort, or energy) to a particular undertaking with the expectation of a worthwhile result.”
We should carefully choose which items we buy and add to our closets, even though that may add a bit of extra bit of time, thought and effort. I think that many of the clothing pieces that find their way to secondhand selling sites or thrift shops were not thoughtful purchases, which is why they are for sale again. (I often even see items with the tags still on!) Perhaps we should coin the phrase “purposeful” or “thoughtful” shopping. I think that it is a principle that most of us could use a bit more of- at least I know that I do!
While purchasing a higher quality item might not be an investment we will have a monetary return on, it may still be one that still has a worthwhile result. Having one higher quality item is always going to be more sustainable than ten cheaply made items because it will last longer, thus reducing the need for so much production. Fast fashion in and of itself is not sustainable because of the model of consumption that it is built upon. For example, vintage clothing is a testament to the longevity of a well made item- garments from the 1960’s will outlast a newly purchased item from Forever21 because of the craftsmanship of the items.
Another worthwhile result of investing in clothing purchases, may be in having less items in your closet because the one item you truly love is better than having multiple items that you don’t love as much. I am not advocating for coveting fashion pieces, but if there is one particular piece that you want, then it’s not worth buying something else and being unsatisfied with it. Saving up to buy this one specific purse that ticked off all of the boxes was a better choice for me, than settling for a purse that I would end up decluttering down the road in favour of another because I wasn’t truly happy with it. As I’ve been going through my own wardrobe, I have tried to be careful to not turn around and immediately replace everything I’ve gotten rid of. Instead, I have been taking my time to see which are the items I should be concentrating on, and “investing” in, rather than continuing to have a closet full of clothing (or purses) that I don’t wear.
I have a few more posts coming up related to the topic of personal style and creating a purposeful wardrobe, so I think I will end this post here for today, but what do you think about “investing” in clothing? Have you ever saved up for a long time to be able to finally buy something your really wanted for your wardrobe?
I rediscovered this guest post that I wrote for Jessica of Zella Maybe back in 2016, and decided that I would like for it to have a home here too. Someday it would be nice to do an updated version of this post with new outfits and photos, but in the meantime here is the post from nearly five years ago!
One of the things that I love most about vintage style dressing is that it really is as varied as the people who lived before us. Within the vintage subculture there are so many vastly different and wonderful styles- from pinup, to rockabilly, to 60’s mod and so on. . . I have never been able to choose one signature style for myself though. There are just too many styles and eras to choose from! Seldom a week goes by where I am not being inspired by something different and deciding I need to dress more like a 20’s flapper or a 40’s land girl, then the next week it is the 1950’s movie-star or a 60’s housewife. . . (Maybe this is really just a clue into how indecisive I am?) However, with something as fun as fashion- why choose only one style?
The best way to wear all of the unique and different vintage styles you encounter would be to have a wardrobe the size of Barbie’s, with dresses and outfits and accessories for each occasion. Unfortunately, I do not have a wardrobe to rival Barbie’s, and I doubt that you do either. However, accessories are a great secret weapon! Some garments lend themselves well to being styled as different eras, and it is amazing what changing your hat, scarf, shoes, makeup or purse can do for completely transforming an ensemble. So today I will show you how I took three different outfits as starting points, and by switching a few pieces was able to create an outfit with a completely different look and mood.
The first outfit is this one, consisting of wide legged navy trousers and a hip length mustard yellow cardigan.
The wide legged trousers are a great starting point for a 1920’s inspired look as trousers first really came into fashion for women in the 1920’s. (They were quite a scandalous style for the “modern woman”!) I don’t have the figure for the straight willowy 1920’s ideal, but by pairing the trousers with a long cardigan I get the illusion of that silhouette. Tucking in my silk top shows that I do, in fact, have a waist, while the blowsy fabric gives softness. A pile of sparkly necklaces, earrings and an exotically wrapped turban results in the classic 1920’s feel. Of course no 1920’s look is complete without makeup, so I added a dark burgundy lip, smudgy eyeliner and gold eye shadow.
Keeping the trousers and the sweater, but switching out the top for a collared cotton patterned shirt instantly turns the look into a 1940’s style. Here I have tied a turban from back to front with a large bow, for a Rosie the Riveter/ working-girl look. (See- I even have a massive wrench!) Lace up boots, minimal jewelry (just ear studs), and a natural makeup look with a hint of pink lipstick gives a softer, minimal look perfect for the era. I have curled my bangs here as well, for a more 40’s style hairdo- as my hair is quite short and that is pretty much all of it I can style! It is amazing how simply switching out the accessories takes this trousers and sweater set from “flapper” to “make do and mend”.
For the next set I have a navy crepe dress with pearl buttons at the neck. This is a 1940’s reproduction pattern (Simplicity 1777), but it is really one of the most versatile garments I own, as almost everything goes with navy.
I first styled the dress as 1940’s, by adding a black straw saucer hat. Tilt hats were quite popular in the 1940’s, and if you have long hair, curling it or adding a victory roll would be the perfect touch. I can’t do that, so I tucked my hair back to make it look a bit more styled, and again curled the bangs. A small black patent handbag, and black suede pumps with a classic cuban heel, coordinate nicely with the hat, and for a ladylike look like this, gloves are a must. (No lady in the 1940’s would consider an outfit complete without her gloves!) For makeup, a natural face, with a sophisticated red lipstick gives a classic 40’s look.
Now I have opted for an early 1960’s take on the dress. The early 1960’s is one of my favourite periods as it was so fun, yet still elegant. It retained much of the style of the 1950’s New Look, while losing a lot of the stuffiness. I mean, what is not fun (or funny?) about this ridiculous 1960’s hat? It is like wearing a tulle cake on your head. The bodice on this dress is a bit more fitted than would have been popular in the 1960’s, but by adding a boxy cashmere coat, the silhouette suddenly becomes straighter with a more secretary/twinset look. Classic peep-toe pumps in navy, and a navy “Kelly Bag inspired” structured purse are a perfect match. By teasing my hair into round shape, adding lots of mascara, blue eyeshadow and a paler coral lip, I get that iconic 1960’s look. (Although you can’t really see my makeup in the picture.) A bouffant or beehive hairstyle would also be classic 1960’s, and false eyelashes would be perfect touch for the wide-open eye makeup style of the era.
Pinafore dresses were quite a popular style in the 1940’s and the slimmer gathered dirndl skirt on this one suits the style of the 40’s “make do and mend” better than the 50’s pinafores, which usually had fuller skirts. Peasant style tops were also very popular in the 40’s, or as an alternative, you could wear a short sleeved collared shirt. A large stiff-brimmed straw sunhat, a small straw handbag, and white peep toe heels coordinate perfectly. Again, I have rather minimal eye makeup and a tawny coloured lipstick. All ready to go on a summer picnic; 1940’s style!
And now for something completely different, I have this 1970’s outfit. Gingham was very popular in the 1970’s too, and pinafores swung back into style, with the resurgence of the romantic, prairie girl look. Pairing the pinafore with a sleeveless tie-neck blouse makes the pinafore looks like a summer sundress. As headscarves were another popular style of the era, I have tied a scarf on my hair, and topped it with a floppy sunhat. The floppy soft brim of this hat makes this outfit so different than the 40’s look with the straight brimmed hat. Large hoop earrings, a patchwork bag with wooden handles, and a stack of gold bracelets give a boho look. And of course no 1970’s look would be complete without platforms- chunky wooden heels are perfect for the 70’s! For makeup, I have switched to a lighter pink lipstick, darker eyeliner and soft light blue eyeshadow.
So, there you can see how I took three different starting points, and simply by switching the accessories, was able to turn three outfits into six different vintage style outfits. (You can also see that the 1940’s is a very easy era to replicate, as I ended up with three different 1940’s looks!)
Obviously we restyle our pieces all the time , but it is easy to fall into a style rut and always grab the same things over and over. I hope this has given you some inspiration, and that you can look at your wardrobe with fresh eyes to see what you can do to switch it up. If you are just really bored with your wardrobe, because you have worn everything in it a million times, then perhaps all you need to do is change your hat, add some gloves, or try a new makeup style. And, if you want to play with your style, the next time you think, “I wish I could do the 20’s or the 40’s or the 60’s etc”, all you might need to do is pair different accessories with the clothes you already own.
There is no need to commit to only one era. Fashion is really so much fun, and there are so many great vintage styles out there, so I hope this can inspire you to have fun choosing what to wear, and accessorize with each day!