Just what will the Grahams wear for Easter Sunday? Why, I’m so glad you asked . . . because I just happen to have a three page spread showing just that!
My brother gave me this Canadian Home Journal from April of 1941, this past Christmas, and I’ve been eagerly waiting to share it with you all, because there is an entire section in the magazine featuring Singer sewing machines, and Butterick patterns! I haven’t figured out yet what I am going to wear this Easter Sunday, but any of these patterns would be delightful, don’t you think? It’s too bad I won’t be able to make any of these lovely dresses, but at least we can enjoy looking at them, right?
The article on the right page talks about how Mrs. S. Armstrong, of Montreal, wanted to have “more pretty clothes- for much less money”, and so she decided to sew them herself. However, there was just one problem- she didn’t know how to sew! But, no problem, she just went to her nearest Singer Sewing Centre, and enrolled in their Three Free Lessons. “There the obliging sewing instructress showed her how easy and simple it is to sew- and save- the Singer way.” Now Mrs. Armstrong has become “quite the expert” and “does all her own sewing- on the modern Singer electric Mr. Armstrong gave her for her birthday”. Furthermore, “the Singer Sewing Centre in your town is always ready to help you. Go there for wardrobe ideas, for advice on a sewing problem, or for “short course” lessons in dressmaking or home decorating. All these services are free!” Well, I just want to pop over my local vintage Singer Sewing Centre now, don’t you?
This dress, above, is just perfection!
I love this striped blouse and suit from Butterick 1440.
Here is what Margaret, Ailsa, Dorothy, and Peg Graham will wear.
Dorothy likes the “high surplice neckline” of Butterick 1444 and the “wide midriff belt” of 1451, above.
Ailsa “likes the shirred pockets” in this Butterick 1407 suit. Also pictured is Butterick 1453. On the other page, we are shown how to add some “spice’ to your outfit!
There will be “many pleasant uses for these important additions to the Spring costumes they are planning”.
Margaret likes the “saddle shoulders in both the dress and the coat of this ensemble because they give a broad shoulder line”. Broad shoulders were definitely the thing in the 40’s! Butterick 1462 includes both the coat and the dress. And Peg, on the right, likes the “slim lines of this reefer which buttons up to a high collar” Butterick 1160 and 1465.
And lastly, my favourite is this ensemble with Butterick 1456. I love everything about this: the cape, the handbag, the cool folded hat. . . the officer (haha just kidding!)
Which of the patterns from this issue of Canadian Home Journal do you like the best? Don’t you wish you could still order things from old magazines and catalogues, when you browse through them? Have you ever seen an issue of Canadian Home Journal before? And, have you picked out what you are going to wear for Easter yet?
This hat is my first sewing project of the year which, ironically, wasn’t even on my #makenine list! However, I am delighted to have finished one project so far this year, especially since my other current project is taking a lot more time to finish than I would like it to.
I said yes, of course, and just this past weekend I got around to making the hat. I have never had much success sewing hats- I made a newsboy style cap for my sister once, which was really cute, but so many of the hats I make for myself seem to fail. I once attempted to make a pillbox, but it turned out looking more like a fez. 🙁 So it was with trepidation that I approached this pattern, hoping that it would turn out well, but also afraid I would end up with another fez. Well, of course, I should not have feared! Tanith has made a wonderful hat pattern- and I love how this hat turned out!
When I first got the pattern, I spent quite a while trying to decide which fabric I should use, because I wanted to make sure that it was something that would coordinate with my wardrobe. After almost cutting it out of a different fabric, I remembered that I had some green wool scraps left over from my cape last year. I only had a few strips (several inches wide) and I wasn’t sure that I would be able to fit all of the pattern pieces in, but, as Tanith mentions, this pattern is good for recycling leftover pieces of fabric and all of the pattern pieces fit. (With absolutely no room to spare- and none leftover! Yay for using up fabric scraps!)
I made the eight section hat, with a narrow band, and I didn’t topstitch the segments. This is because I am that seamstress who looks at a pattern (even one with every combination known), and picks out the one option that isn’t pictured on the pattern. I think that the topstitching gives the beret a sportier look, and also stiffens the pieces, so my hat is rather soft and floppy compared the pictures on her pattern. The wool I used was also rather soft, compared to melton or other stiff wool. The weight of your fabric is definitely something to keep in mind.
The hat went together very quickly. I made it in a few hours including: laying out the pattern, cutting, sewing, unpicking my bad stitches and then resewing, and then finally pressing and steaming the hat into shape. If you’ve been following my sewing projects for any length of time, you will know that a finished project in that short amount of time is pretty amazing since all of my sewing projects take me forever to complete.
After I finished sewing the segment pieces together, I laid the hat out flat, and even though it wasn’t pressed yet, I could tell that it was going to be too small. Because I was afraid of the hatband also being too small which would result in the hat sitting on the top of my head like a pancake (strangely enough…not the look I was going for), I measured my head and then cut my hatband out at that measurement + seam allowance, sewed the hatband together at the sides, and tried it on to make sure it fit. Because there is a 5/8″ (1cm) seam allowance included in her pattern, I simply resewed the segment piece seams at 3/8″ and then tapered the seams towards the bottom to fit the circumference of the hatband. Once I had resewed the seams it was a simple matter of attaching it to the hatband, adding a covered button and then I was done. Tanith does mention in her pattern that any seam or cutting discrepancies can drastically change the size of the hat- just 1mm in cutting error will result in a 1.6 cm difference once the pieces are sewn up. My hat might have also turned out too small because of printing error- I did print it at 100%, but there could have been a problem there too. Either reason, it doesn’t really matter in the end because she, fortunately, included wide enough seam allowances for me to make the necessary adjustments with no problems! I would recommend if you sew this pattern, just measure the pieces before you cut them out to make sure the sizes are all right.
So, what was my opinion of Tanith’s pattern? I really like how this hat turned out, and am thrilled to now have a matching cape and hat set. I am already contemplating future versions too; velvet would be nice, and perhaps some more outerwear and hat sets, because you can’t get more vintage than that, right?
As for this outfit, which I wore on Sunday, I paired the hat and cape with a fur collar, black tights and shoes, and my kraken necklace, which I thought deserved an outing. Peeking out from under my cape is the Vogue 8789 dress which I seem to be wearing on repeat lately. I tried the outfit with a black purse, but it was just too much black, so I ended up choosing this silly plastic covered feather clutch which I rarely ever carry, because it’s too small to hold anything other than my phone and a lipstick! But, it was a perfect finishing touch, and I always love wearing ridiculous vintage pieces, if I can 😉
All in all, I am very happy, both with this pattern, and how this outfit turned out- despite the freezing cold these photos were taken in. (The sunshine is deceptive) I was tempted to do an indoor photoshoot, but decided that a cape and hat set needed to be set against a winter background, so my sister and I braved the weather just long enough to quickly snap these and then run back inside to sit by the fire and warm up with a hot cup of tea!
Have you ever sewed a hat before or would you? Have you seen or tried out the Grevillea Beret pattern yet? Would you make a matching outwear and hat set? And- is it starting to feel like Spring where you live, or are you still in the depths of Winter too!?!
(Ps- I was wondering why the pattern was called the “Grevillea Beret” so I Googled it, of course, and discovered that a Grevillea is a type of Australian flower. I wondered whether the hat looked like the flower. . . but then I looked at the image search here and it does not look anything like it! Although- a Grevillea inspired hat would be most interesting, don’t you think? 😉 haha!)
Yes, I had to give this post a title like that, because there is just so much peach in this Valentine’s Day outfit that I really couldn’t do otherwise, could I?
I used to think that I didn’t like pink, because I don’t own very much of it, (I keep saying that every year when Valentine’s Day rolls around. . ) I have realized over time, though, that it’s not that I don’t like pink, but that I am not drawn to cool toned pinks; I love warm peachy pinks, corals, and tawny dead shades of pink.
My mom and sister found this adorable fabric, of which there was just enough to make a gathered skirt, in the thrift store last summer. I’m not one for novelty prints, so this is about as novelty as I get, but how could I resist when it has little dancing people and bunches of flowers on it- and also what better thing could there be to wear on Valentine’s Day? In keeping with the Valentine’s theme, I also decided to wear this pendant with handwriting on it- something about it feels romantic, and my cameo earrings, which have always been a romantic kind of jewellery as well. My Brave Leather belt finished off the look- and also kept the peasant style top and gathered skit from looking frumpy. I tried the look with a narrow belt, but this one looked better: never underestimate the power of a wide belt! 🙂
I’m getting a bit tired of the cold and snow, to be honest, and I have been forced to spend most of my days indoors lately. Yesterday it finally warmed up enough to run errands without my face freezing off, which was so nice. The cold weather is getting to be a bit of a drag, but on the other hand, if I’m inside I can wear whatever I feel like, without having to worry about layers and toques and scarves. . . So, when planning what to wear for Valentine’s day- I decided to ignore the fact that it is still Winter, and as a result this outfit is quite Springlike. I am not going to go out in these sandals though! (I repeat: these sandals will not be worn in the snow!)
Today the forecast is not bad, but even if it is cold, I don’t have to go out in it and will just sit at my work desk dressed up in this un-seasonably appropriate outfit, enjoying the Valentine’s spirit (aka- eating a chocolate tart) and staying toasty warm beside my plug in heater should the temperatures dip again 🙂
I hope you have a lovely Valentine’s Day no matter how you spend it!
Do you like to wear a themed Valentine’s Day outfit? Do you like the colour pink? And if so are you drawn to cool or warm pinks?
Here is my number one tip for dressing in the wintertime, once it gets very cold outside:
Put on whatever you feel like wearing.
For the past few weeks, over Christmas and New Years, and up until this week, here in Canada we’ve been in a deep freeze (-39 C for a few days!). It’s made going anywhere, dressing up and, above all, taking photos extremely bothersome! So, what do you do when the whether won’t cooperate? Dress up in your most favourite 1970’s dress, complete with the glasses your mother wore when she was a teenage, and do a 70’s inspired photoshoot on your very of-the-era 1970’s sofa (inherited from your Grandparents) of course!
This is one of my favourite dresses, but as it is made out of the preferred material of the era (polyester) it is much too hot for me to wear, so I was happy for an excuse to dress up in it, if even only for a couple of hours. I enjoyed the process of doing a “dress up/costume” photoshoot, so I think that I should do that a bit more often.
Do you like to dress up in clothes you wouldn’t wear any other time? What styles do you like, but don’t actually wear day-to-day? And, most importantly, can you stand to wear polyester (or other synthetic) fabrics without overheating?!?
Happy New Years! Well, almost. In honour of the most glamorous time of the year, I thought it was a great opportunity to share these images from the McCall’s Treasury of Needlecraft, featuring some wonderful knitted and crocheted evening shawls and wraps.
Nowadays there seems to be a trend towards New Years parties where the guests are encouraged to wear pyjamas. This, Dear Readers is a tragedy. Not because pyjama parties aren’t loads of fun- they can be (although not my cup of tea), but because New Years is the most glitzy holiday of them all, and if you can’t wear a cocktail dress out on New Years, just really when are you going to wear it? So, I vote that this year, instead of continuing the trend towards casualness that our culture is embracing, if we are going out to celebrate, we instead don our most glamorous garments possible. Or, if you are staying in, your most glamorous housedress and robe 😉 To be honest, I am not going to be going anywhere on New Years Eve, so I’ll probably not be wearing anything very fancy that night. . .
Anyways, without further ado- some glamorous evening wear from the 1950’s!
I love the cape-like look to the one on the left.
This kind of looks like a table runner. . . but the rest of her outfit is glamorous, so I’ll forgive it. 🙂
Such a pretty zig zag pattern.
Which of the evening shawls and shrugs is your favourite? I personally really like the first picture, with the yellow dress and sparkly jewellery.
I hope you all had a wonderful Christmas, and that you have a Happy (and glamorous) New Year celebration however you spend it!